Mohsen Makhmalbaf

Talking with Rivers is a conversation between Iran and Afghanistan, two neighbouring countries that used to be one land. The two countries are now sharing their stories after they parted from each other, from the era of Soviet invasion to the civil war and the Taliban era, up to and including the rise and fall of America and the return of the Taliban.

On May 18, 2017, the Busan International Film Festival’s Program Director Kim Jiseok died suddenly and unexpectedly from a heart attack while on a business trip to the Cannes Film Festival. In the face of his unexpected demise, his old friends and colleagues in the film industry recall what tormented him in his last days.

A nostalgic look at the birth and death of arthouse film distribution in Russia in the early 2000s. The story of the company Cinema Without Borders and its two founders, Sam Klebanov and Anton Mazurov.

It is a story of a unique family in the world; A documentary on how a former political imprisoned revolutionary in a religious closed society like Iran, turned his house in to an open Film School and pave to way for his family to became world class film maker and top International award winners , including Cannes Venice , Berlin, San Sebastian , Locarno and many.

Simin Daneshvar was an Iranian pioneering novelist who lived nearly for a century and under 3 different political regimes. She and her husband, (Jalal Al Ahamd) have been regarded as "Iranian Simone de Beauvoir, and Jean-Paul Sartre". But they had a very different fate. Simin's life is a mirror of what has happened to Iranian women throughout a century, from unveiling the hijab and playing important roles in society to imposing hijab and staying at home in the Islamic regime. This film looks at her life through the history of women's movement in Iran.

An Iranian filmmaker and his son travel to Haifa, Israel to investigate a religion that originated a hundred and seventy years ago. Youth from all over come to Haifa to join this religion, and those who serve in the gardens that surround the holy places develop peace-loving attitudes through their interactions with nature. The filmmaker shares with his son the idea that if the Iranian people had adopted a peaceful religion, Iran would not be preparing a nuclear attack on Israel, but the son believes that all religions tend to bring about destruction. As a result of these arguments, father and son separate from one another and pursue their own paths.

Today Iranian cinema is one of the most highly regarded national cinemas in the world, regularly winning festival awards and critical acclaim for films which combine remarkable artistry and social relevance. Iran: A Cinematographic Revolution traces the development of this film industry, which has always been closely intertwined with the country's tumultuous political history, from the decades-long reign of Reza Shah Pahlevi and his son, the rise of Khomeini and the birth of the Islamic Republic, the seizure by militants of the U.S. Embassy in Tehran, and the devastating war with Iraq.

Tracing the history and influence of Iranian cinema and its filmmakers.

Documentary showing the backstage of production of Samira Makhmalbaf's film Panj É Asr(At Five in the Afternoon), in Kabul, after the fall of the Taliban regime. Everything was recorded with a small digital camera by Samira's 14-year-old sister Hana.

Documentary showing the life of children of the Afghan villages bordering Iran, and how their life and culture were affected by Taliban regime.