
Moussa Théophile Sowie a suivi une formation notamment à l'Institut des études théâtrales Paris III Sorbonne Nouvelle et à l'Ecole d'art dramatique Jacques Lecoq à Paris. Il a joué au théâtre dans Chute et Jeanne au bûcher mise en scène Claude Régy Le chariot de terre cuite mise en scène Patrick Le Mauff, Tabataba et Combat de nègre et de chiens mise en scène M. Touré, Dans la solitude des champs ...
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Cast out of his insular community, a damaged and down on his luck man teeters between a life of crime and the path to redemption.

60-something Henri meets 50-something Lila, and sparks fly - until they both must reconcile their very different lives and backgrounds.

Fastlife: always go further, faster, to shine in the eyes of others: this is the motto of Franklin. Franklin is a megalomaniac obsessed by the desire to shine at any price. He will have to choose between becoming a man or continue to live the Fastlife...

Leslie Konda young talented French footballer spotted in his teens by Didier , a small-scale agent who was able to take under his wing , has signed its first contract striker in a large Spanish club . At the same time, his growing reputation and its origins Botswanga , small, poor state of Central Africa, earned him an invitation by the President of the Republic in person Babimbi Bobo , a football enthusiast, freshly installed in power after a coup military state. Leslie therefore went for the first time in the country of his ancestors accompanied by Didier to be decorated by the President Bobo which quickly turns out, despite his great humanist discourse be a megalomaniac and paranoid dictator under the bad influence of his wife .dropoff window Hardly have they landed Bobo enters into a sordid deal with Didier put pressure on his player so that it plays for the national team : Crocodiles of Botswanga ...

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When a woman shelters a group of girls from suffering female genital mutilation, she starts a conflict that tears her village apart.

El Hadj is studying in Paris. He is one of the young Senegalese men who have come to Paris since the French colony became independent to get a good education so that he can serve his fatherland on his return. Unexpectedly he is suddenly confronted by a problem with his residence papers, just because he has arranged an extension too late. His pleasant life filled with good prospects has gone in one fell swoop. He faces a dilemma. He can stay illegally in France, the country where he feels at home, where he has his friends, has fallen in love and can drink water from the tap. Or he can return (without graduating) to the 3rd-world country of Senegal to use the knowledge he has acquired. It is not only a practical choice. It comes down to the question of who he is, who he thought he could be.

The true story of the rise to power and brutal assassination of the formerly vilified and later redeemed leader of the independent Congo, Patrice Lumumba. Using newly discovered historical evidence, Haitian-born and later Congo-raised writer and director Raoul Peck renders an emotional and tautly woven account of the mail clerk and beer salesman with a flair for oratory and an uncompromising belief in the capacity of his homeland to build a prosperous nation independent of its former Belgian overlords. Lumumba emerges here as the heroic sacrificial lamb dubiously portrayed by the international media and led to slaughter by commercial and political interests in Belgium, the United States, the international community, and Lumumba's own administration; a true story of political intrigue and murder where political entities, captains of commerce, and the military dovetail in their quest for economic and political hegemony.

The sequel to The Visitors reunites us with those lovable ruffians from the French Medieval ages who - through magic - are transported into the present, with often drastic consequences. Godefroy de Montmirail travels to today to recover the missing family jewels and a sacred relic, guarantor of his wife-to-be's fertility. The confrontation between Godefroy's repellent servant Jack the Crack and his descendent, the effete Jacquart, present-day owner of the chateau, further complicates the matter.

After a wizard's spell goes awry, 12th-century Gallic knight Godefroy de Papincourt, Count of Montmirail finds himself transported to 1993, along with his dimwitted servant, Jacquouille la Fripouille. Startled and perplexed by modern technology, the duo run amok, destroying cars and causing chaos until they meet Beatrice de Montmirail, an aristocratic descendant of the nobleman, who may be able to help them get back to 1123.
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