Jorge Silva Melo

A renowned symbol of Portuguese interventionist theatre, Cornucópia emerged from the darkness of fascism to fight dictatorship on stage. Among the classics, a project is born and dies, but one face remains emblematic: Luís Miguel Cintra, who shared his art with the constant complicity of set designer Cristina Reis. Together, guided by images, they bear witness, telling this story.

A walk for half a century, yes, a letter perhaps. Travels in my life, I could call it, which I like Garrett so much. A traveling as he would like, a loose story, memories, projects, meetings. Also because, since 1995, I have done several portraits of artists (Palolo, Bravo, Lapa, Skapinakis, Bartolomeu, Angelo, Sena, Ana Vieira and I prepare Sofia Areal and Fernando Lemos), I started to think that this is my life, these meetings , see, hear, cut, show, tease. I want, with this film continue to show what I see. [Jorge Silva Melo]

When he was 16-years-old, a young man was so impressed by the paintings of an obscure painter, that he did his best to get acquainted with him, as an artist, and a painter. Eventually, the artist started writing, and impressing the cultural world of his country to the point he became an established artistic name, and a college teacher. So, too, did that young man grow to be a theater and film writer, producer, and director.

A 58 minute documentary about the life of João Bénard da Costa.

The city during the beginning of cinema. The typical city at the time of the dictatorship. The New Lisbon of the New Cinema. Lisbon after the Revolution. The white city of foreigners. A geographical and moviegoer screenplay of Lisbon through the images of films and testimonies of several filmmakers who filmed in Lisbon.

Redheaded twins Armando and Beatriz always dreamed of being firefighters but during a rainy, uneventful winter they find themselves spending less time putting out infernos than they do helping neighbors who’ve locked themselves out of their apartments. This is how Armando meets a pretty young woman with whom he begins a tentative courtship. But soon a rift grows between the siblings and, spurred by Armando’s exaggerated stories about his nascent relationship, Beatriz begins experiencing aural hallucinations that can only be remedied through music and, finally, the love of a stranger. Pinto made this impassioned fairy tale as part of a series of films about the four elements. - FilmLinc

In Brazzaville, in 1944, Alex Emmerich was sentenced to wander the seas by Hélène Latray, the wife of Félix Beauvois, the man Alex loved. In 1962, exiled on Hatray cruises and feeling the coming death, Alex decides to compose for his love a testament: the photographic report of his agony.

A story about character created by Reinaldo Ferreira (1897-1935), action reporter, mystery novelist and emotion journalist.

Set four years after the Portuguese revolution and the simultaneous loss of the Portuguese empire in Africa, the story concerns a director who sells guns to finance his play.

During the century of the Spanish Gold, Doña Prouhèze, wife of a nobleman, deeply loves Don Rodrigo, who is forced to leave Spain and go to America. Meanwhile Prouhèze is sent to Africa to rule the city of Mogador. Ten years later Rodrigo leaves America and travels to Africa in search of Prouhèze to find out that she died and eventually meeting her daughter.