Camacho Costa

A group of innocent hostages is left to their own deaths facing a clockwork bomb, while the whole country watches them on the TV.

Cape Verde, 1964. At the feet of a mighty volcano, the traditional Cape Verdean society is undergoing a steady change. The old land-owning aristocracy is disintegrating. A class of "mulattos" begins to emerge, with a trade-based financial power that threatens the landlords. A new identity arises, a mix of old and new, of African and Portuguese culture, sensual and dynamic. The songs of Cesária Évora follow this inevitable transformation. From the novel by Henrique Teixeira de Sousa.

No plot available for this movie.

Nopumoceno, the most successful businessman in the Cabo Verde archipelogo, is an ambitious, clever opportunist, known during his lifetime as "eternity single". However, he is then discovered by his illegitimate daughter to have gotten his fortune and his women in unorthodox and incredible ways

At the end of the nineteenth century, an army force led by Major Mouzinho de Albuquerque, a cavalry officer, imprisoned in Mozambique the tribal chief Gungunhana, who had rebelled against Portuguese government and sovereignty. Mouzinho instantly becomes a national hero but his raising popularity worries the State.

TV movie from the series "A la Minuta," an action comedy with a very special "gang."

Dona Elvira promises to get a job from José through the typical Portuguese wedge. In parallel, they are bizarre aspects and eccentric figures of the city life, including the tragedy of the actress Maria Alves.

A nobleman from Alentejo, from a very conservative family, intends to reconquer Olivenza, returning the situation to the times of the Treaty of Tordesillas. To this end, he creates two movements, which prepare for the big day. However, these plans do not work, as the daughter of the Mayor of Olivenza falls in love with the son of the Baron of Altamira, and the war will be different...

A man exiled in Paris makes various trips to Portugal after the Carnation Revolution. Each trip is represented by a woman.

Estefânia is an old, rich, strict catholic woman, and when she sets her eyes on a couple of servants who have no means to bring up properly their youngest son, António, she decides to move her influences in order to make a priest out of him. The parents accept it, the local priest and even the Seminar's rector accept it, and António accepts it - if not for piety, for obeyance to his parents. Once time goes by, and António is out of rural misery and into the prison-like system of a seminar, doubts and anguishes mount within him.