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Anne Marie Fuchs investigates for the first time on behalf of the Federal Office for the Protection of the Constitution. Together with her fellow detective Youssef El Kilali , the experienced team sets out to solve two murders. But can they also stop the espionage attack on the Federal Office for the Protection of the Constitution?

No plot available for this movie.

Tammi is annoyed. Instead of traveling to Formentera and presenting her followers with dreamy photos, her mother Simone takes her to the middle of nowhere to attend the funeral of her grandfather Jackel, a complete stranger. There she also met her aunt Britta and her children. There isn't even cell phone reception in the boring amusement park, and Tammi has little or nothing to do with her cousin Umbo and Cousin Cookie. But suddenly something incredible happens: During a thunderstorm, three worn-out ghost train characters come to life - the witch, the giant and Rumpelstiltskin. Tammi recognizes them as perfect allies to wreak havoc and finally escape this boring wasteland. But unfortunately she did the math without her own family and the stubbornness of the spirits. Suddenly everyone has claimed the amusement park for themselves and a wild chaos ensues.

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High school graduate Max Höfel arrives at the Fuchs & Kilali detective agency distraught: his girlfriend Leonie has been run over by a car and the police believe it was a hit-and-run accident. Max, on the other hand, believes it was murder and hires the two detectives to find the culprit. Leonie used to work in Max's uncle Lukas Bender's amusement arcade. Anne and Youssef find out that dirty mafia money is laundered there. When a large sum of money is found in Leonie's estate, Inspector Eisner is also convinced that a violent crime has been committed. Did Leonie want to expose her employer - is that why she had to die? Max's mother Marina protects her brother Lukas. He would never be capable of murder! A deep rift runs through the Höfel family, behind whose façade Anne and Youssef have to look in order to finally solve the case.

Mother and daughter, both from the GDR: one experienced it, the other did not. Tamara was born in 1990. Like many of the post-reunification generation, she left her homeland and only comes to visit for her milestone birthday. But everything that seemed secure crumbles within a few days: Tamara (Linda Pöppel) and her mother Barbara (Lina Wendel) are left. The two struggle to maintain their relationship, which cannot be detached from the social developments in which the family was born, grew and disintegrated. Now Tamara must face what she has been running away from: her own history.

Germany, late 90s: Johanna is an intern at a local newspaper and is struggling with the death of her grandmother. In addition to her grief, she is burdened by conflict with her family after she angrily confronts her uncle, who is only interested in his inheritance, at the funeral. She seeks balance by throwing herself headlong into her work. In the process, she comes across an old photograph of a concentration camp guard named Anneliese Deckert. With this find, she hopes to advance her journalistic career: Johanna tracks down the now 80-year-old, but does not expect to meet her entire family on the spot, nor does she expect the fuss the photo causes.

When the village sheriff Frank Koops settles a dispute between the neighbors Ernst and Rudi, he has no idea that this is the prelude to murderous complications that go back far into the past.

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Alexander is 30 years old and has never been in love - or has never been in love. He then sees in Paula, a theater actress, the possibility of sharing a future with someone.
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