Piet Burnama

Purnama, a street child who lives in a halfway house. He was affected by amnesia due to being hit by the car of Mr. Surya, a businessman who is a workaholic and still lives alone.

Baby is a beautiful, energetic orphan who dreams of becoming a dancer to pay for her grandfather’s medical bill. Secretly, Baby quits school and enters a high school dance competition, wearing a mask and a new identity, Phantom. Her amazing performance enthralls the audience and jusy. But everyone wonders about Phantom’s mysterious identity. The organizer of the competition, Wizard, tells Baby that she can only participate in the Grand Finals if she goes to the Pekerti Luhur high school. Wizard will pay all fees. Pekerti Luhur is an elite private school lead by a young, strict and disciplined principal, Mr. Yudo. His son, Benny, is head of PHP (Supervisors of Education Harmony) whose duty is to make sure that no student breaks the rules. Zarro, the coolest boy in school, who is also a participant in the dance competition’s Grand Finals, really hates Benny. Baby and Zarro both quickly become enemies, especially when it is known that Baby is his competitor in the dance competition.

Jiwo (Angga Dwisaputra), a village boy, meets Maria (Vonny Kristianda), the daughter of a nobleman, when they are in junior high school. But Maria had to separate from Jiwo because forced by her parents. A few years later, they met again with the same question: will their love last this time?

The poet Ibrahim Kadir plays himself in a political drama about his arrest and incarceration in Aceh in the 1960s. Kadir survived the mass murder of suspected communists by the Indonesian government that cost between 500,000 and two million lives.

Dono, Kasino and Indro lose their pants while they are defecating in a public toilet at an entertainment spot. As a last resort to cover up his embarrassment, Dono steals the pants of the man in the stall next to him. As it turns out, this man is the father of three young women that Dono, Kasino and Indro start going out with. The story, which is little more than a bunch of skits wrapped up together, starts from here.

A murdered pregnant woman possesses her sister's body to get revenge.

An ex-Marine finds out a old buddy is leading a private army of mercenaries, and when he refuses to join, a deadly violent battle erupts between the two men!

Next time you're having a bad day, just remember: It could ALWAYS be worse! Just look at the case of Marni. For starters, she gets gang raped by some thugs at a campground. And then she goes home to be comforted by her caring boyfriend, who recently confessed his love and took her virginity, only to find him in bed with another woman. When she starts acting out, her parents hand her over to an uncle who also rapes her. She miscarries shortly after finding out she's pregnant and is finally put out of her misery after her rapists murder her and then toss her body in a lake. Unfortunately, in death the poor girl can't even rest in peace and she returns as a vengeance-seeking ghost because her body wasn't properly buried. Now that you know all about Marni, don't you feel better?

Kadir and Doyok are irritated at the behavior of their gossiping wives Yurike and Chintami. The two men work out a strategy designed to get their wives to stop gossiping. Unfortunately, their strategy boomerangs on them. Things get really crazy when Yurike’s old flame, Mamik, comes around when Kadir is out. Trying to convince Mamik that she is really married, Yurike asks Doyok to pretend to be her husband. They make a big show of going into the bedroom together. When all of this is going on, Kadir’s parents arrive for a visit from Madura and witness Doyok and Yurike go into the bedroom together. Major chaos.

Kadir and Doyok come to Jakarta looking for jobs. They run up against massive challenges due to their own lack of abilities. After they fail a magicians. They try becoming salesmen, then house painters, and then parking attendants. Finally, Rosa (Baby Zelvia), Kadir’s cousin, tries to help them, but, as usual, the whole thing comes to naught.