Gitali Roy was an Indian Bengali film actress. She acted in four of Satyajit Ray's films, viz., Mahapurush, Chiriakhana, Mahanagar and Charulata. Among other notable films she also acted in Rajkanya (1965) and Baksa Badal, a story by Bibhutibhushan Bandyopadhyay and directed by Nityananda Datta in 1970.
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A hilarious romantic-comedy where two people have their luggage exchanged during a train journey. One of them (Soumitra Chatterjee) is a psychiatrist, and he develops a keen interest in knowing the other party (Aparna Sen). His experience as a psychiatrist helps him to understand the happy-go-lucky and pampered Aparna Sen and woo her love.
When Byomkesh Bakshi's new client, Dr. Nishanath Sen, is murdered at Golap Colony, he decides to probe into the case with the help of his close aide, Ajit.
Hathat Dekha is a 1967 Bengali comedy-drama film directed by Nityananda Datta. The film featured Soumitra Chatterjee, Sandhya Roy, and Jahor Roy in the lead roles.
Darpa, a cunning man, asks Rajkumari to pretend to be Princess Rajkanya Chandralekha so that he can keep all her riches for himself. However, when she realises the truth, she ensures all his plans fail.
A wandering baba initiates a widower layer and his youngest daughter, irritating her boyfriend Satya and the ever-skeptical Nibaran.
Another call on "I Married a Dead Man" but with a change- the family hated the DIL and didn't want her, but wanted the child, the heir. The woman and the child had been attacked and couldn't live apart. Aditya's grandparents mistake Kanak for being the other woman in his life and blame her for his death. Kanak develops a strong bond with Aditya's son and everyone accepts her in the family.
In 1870s India, Charulata is an isolated, artistically inclined woman who sees little of her busy journalist husband, Bhupati. Realizing that his wife is alienated and unhappy, he convinces his cousin, Amal, to spend time with Charulata and nourish her creative impulses. Amal is a fledgling poet himself, and he and Charulata bond over their shared love of art.
After her husband loses his job, a housewife from a middle-class, conservative family in Calcutta gets a job as a salesperson.
A man mistakenly invites a family, whose girl was (and is still) betrothed to the groom. It was he who set up the cousin's alliance, would the girl forgive him, whom he had fallen in love? How to prevent her from attending the marriage?
Difficulties erupt between a married couple when their relationship gets hit by societal pressures, norms, and deep-rooted patriarchy.
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