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Robert Box asks his colleague Lorraine out for a date. They go to a restaurant where Dave Perry tries to break it as a stand-up comedian.

The waters surrounding an island become contaminated by chemical dumping, and people who eat fish caught in those waters become deformed and violent.

In Frankie Howerd's third Up... film it's World War I and he plays Lurk, an absolute cowerd, er coward. He's evading the call-up for all he's worth. But one evening he's hypnotised by a drunken hypnotist (Stanley Holloway) into being brave, but he fails to be released from it. So with his yellow streak gone Lurk is down that army office before you can say "titter ye not." Off to war he goes, mingling with sexy spies like Zsa Zsa Gabor and before long, the spellbound recruit is heading hot-foot back to Blighty with the Germans' plan of attack tattooed on his bum, and the Germans are bringing up the rear...! Full of sauce, knowing real-life references and witty remarks to camera, this is a cheeky incorrigible final instalment.

Young babysitter Amanda arrives at the Lloyd residence to spend the evening looking after their young son. Soon after the Lloyds leave, a series of frightening occurrences in the gloomy old house have Amanda's nerves on edge. The real terror begins, however, when the child's biological father appears after recently escaping from a nearby mental institution.

In 1830, the Karnstein heirs use the blood of an innocent to bring forth the evil that is the beautiful Mircalla - or as she was in 1710, Carmilla. The nearby Finishing School offers rich pickings not only in in the blood of nubile young ladies but also with the headmaster who is desperate to become Mircalla's disciple, and the equally besotted and even more foolish author Richard Lestrange.

A cat and mouse game develops between a big man of crime and a young detective constable. But the big man doesn't realize, that this mouse roars.

Dramatically portraying the Peasants' Revolt of 1381, the film reveals the conditions of virtual slavery which persisted throughout the Middle Ages, and the weaknesses of the feudal system; its oppressive tax structure, its cruelty and its social inequality

Play based on a story by Chekhov. For Gromov, behind the bars of a mental ward, the railway is the one hope of escape. For the doctor in charge, Andrei, it is the link with civilisation which alone could rose him from the lethargy of life in provincial Russia.

Wild pony rustling on Dartmoor.

Seven mini-stories of adultery: a widow misbehaves at her husband's funeral, a wife turns to streetwalking for revenge, a prudish girl surprises, a neglected wife vies for her husband's attention, a fight over a dress, a death pact, and a detective revealed as a jealous husband's spy.
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