Sōzaburō Kikuchi

No plot available for this movie.

Horror film directed by Satoru Kobayashi. Kin'ya Ogawa served as Kobayashi's assistant on this film.

Early pinku.

1962 Japanese movie

The last fight put up by remaining forces and a special volunteer nursing corps in 1944-5.

1961 Japanese movie

Arrested for the murder of her wealthy businessman father, convicted on false evidence and sentenced to death, Kyoko is determined to prove her innocence.

After the massacre of Christians at Shimabara, followers of Amakusa Shiro band together in a plot to overthrow the shogunate in order to exact revenge on the Tokugawa. At the same time there is a succession dispute in the Kuroda clan, as one faction tried to usurp the rightful heir and take over the honored clan. Before his untimely death, the lord of the Kuroda bestowed “Nihongo”, a magnificent spear, on his finest warrior, which ultimately brings him into contact with two of Japan’s most famous historical figures, Yagyu Jubei and Miyamoto Musashi. Can the three masters of martial art join forces to defeat their enemies and save the nation?

The year is 1945, months prior to Japan's ultimate defeat in WW2, and military lieutenant Sugawa is sent on a critical mission to deliver micro-fiche war plans to Tokyo from his base in Malaysia. But while flying over Chinese waters his plane is shot down and he is taken aboard a ship bound for Shanghai to deliver its merchandise - a ship filled with Female Slaves kidnapped from Japan. Will he abandon the women to pursue his main objective? Or will he fight foes, spies and pirates to save these women against all odds?

During the naval battle of Midway in WWII, the battleship Mutsu was in its home port in Japan. The ship's officers and crew were frustrated at not being able to take part in the fighting. They had been held back by orders from the Naval Ministry, but there was also a plot by saboteurs, who were trying to prevent the sailing of the Mutsu. Director Komori developed a suspenseful plot by including a fictional adaptation of the Russian spy Richard Sorge, who had been captured in Japan and subsequently executed. Komori brings a fictional Russian spy to the screen by portraying him as a military attaché at the German embassy. As Germany was an ally of Japan in WWII, a secret agent being a mole in the German embassy is a perfect cover. The interaction of the saboteurs and the officers and crew of the Mutsu make an exciting story.