Takahiro Tamura

Korean-Japanese director Gu Su Yeon makes his directorial debut with the mouthwateringly delicious The Yakiniku Movie: Bulgogi. As the title clearly states, pride of place goes to juicy, bite-sized meat, and viewers will get a delightful eyeful of food, food, and more food in this fabulously fulfilling gourmet comedy. Reveling in Japan's love for food-themed shows, the film revolves around a culinary battle of David and Goliath proportions, cheekily parodying Japanese cooking shows with Iron Chef-like editing, excited running commentary, and comedic how-to segments. The Yakiniku Movie also shines a light on the food culture of Japan's resident Korean population, proving that tasty food transcends all boundaries.

A young man is on an inner journey as he searches for meaning in love, eroticism and marriage. He boards a train, and all the clocks are mirrored from then on, as if looking at them from the inside. He travels to a homey village, meets a potential fiancée, then a more sensuous and mysterious stripper.

Husband and wife Michiko and Takao move from their urban existence in Tokyo to the isolated, rural farming village where Takao grew up.

One day, a deaf photographer, Miki Yamashina, happens to meet a young man, Makoto Shibata, on the street. Shibata had been averse to human contact ever since he ran over a child, but Miki finds an unexpected way to support him.

Taku Shinjo spins this rural drama about ancient taboos and encroaching modernity. Takamine (Gitan Otsuru) is a big-city workaholic sent to a small remote island to seal a business deal. His predecessor almost managed to convince the island's 17 inhabitants to sell their stake and make way for a resort hotel -- that is, before he died under dubious circumstances. Takamine finds the islanders polite and kind but unwilling to discuss business; instead, they tell him to become an islander. So the city-slicker stuffed shirt loses his tie and starts to help the women plant and the men fish. He soon makes his acquaintance with Takako (Mitsuko Baisho), the widowed daughter of the island's chief. She lives alone with her crazed son who is kept Jane Eyre-style chained to a stake. One moon-lit night, their mutual attraction boils over, resulting in a naked, passionate roll on the beach.

Ever since an accident in the mountains outside town, Takuji's slept in a coma; his neighbors care for him as new events occur every day.

Following the lives of three college rugby players drafted to serve in the military during WWII. Though they believe their service will help to benefit their loved ones back home, they are unprepared for the hardships of war. Through their shared trials and sacrifices, they grow closer as friends, and hope to return together to better days. This movie was released in commemoration of the 50th anniversary of the end of WWII.

Akira Hojo and Chiaki Asami live different lives in Tokyo, Japan: Hojo is the leader of a small but rising Yakuza clan, while Asami is a politician aiming to become the youngest member of the Japanese parliament. But while they both live in different ways, Hojo and Asami share the same past; both of them were survivors of the Killing Fields of Cambodia. With the aggression and survival instincts they learned in the Cambodian jungles, Hojo and Asami strive in both the Yakuza and political world to reform Japan into their own sanctuary.

Thief Yaheiji (Keizo Kanie) helped a dying young samurai (Hiroaki Murakami), after recovering, he lost his memory and returned to Edo under the name of Yataro Tanigawa. Yaheiji meets Yataro again in Edo, by which time Yataro has become a dark hunter (Hired Assassin). The boss of thieves to whom Yaheiji obeys is killed, and Yaheiji participates in the battle to take his place Yataro helps him defeat and save his life, and Yaheiji also tries to save Yataro from the world of assassins... The drama "Dark Hunter" is based on the novel by Shotaro Ikenami, who is best known for his TV series Onihei Hankacho, Kenkaku Shobai and Fujieda Baian's Shikake-nin. The film version directed by Hideo Gosha is well known, but this version is more faithful to the original.

Weaving two storylines together: the first is the story of 18th-century shogunate intrigue and loyalty, and the second is a ghost story about a beautiful woman who falls victim to passion and evil.