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This title was completed in 1984 and opened in 2014.

Korean-Japanese director Gu Su Yeon makes his directorial debut with the mouthwateringly delicious The Yakiniku Movie: Bulgogi. As the title clearly states, pride of place goes to juicy, bite-sized meat, and viewers will get a delightful eyeful of food, food, and more food in this fabulously fulfilling gourmet comedy. Reveling in Japan's love for food-themed shows, the film revolves around a culinary battle of David and Goliath proportions, cheekily parodying Japanese cooking shows with Iron Chef-like editing, excited running commentary, and comedic how-to segments. The Yakiniku Movie also shines a light on the food culture of Japan's resident Korean population, proving that tasty food transcends all boundaries.

Ginza is a night town filled with ambition and burning desire. How does a plain bank clerk embezzle an enormous amount of money and jump into the underground world? What is her ultimate goal? Her greatest weapon is a black leather-bound notebook.

A young man is on an inner journey as he searches for meaning in love, eroticism and marriage. He boards a train, and all the clocks are mirrored from then on, as if looking at them from the inside. He travels to a homey village, meets a potential fiancée, then a more sensuous and mysterious stripper.

Izumi aims to be the first deaf creator of artificial limbs. One day, her senior co-worker, Kubo, goes to Afghanistan to help give aid to children as a member of an NGO. Izumi decides to go along. In Kabul, the wounds of war are still fresh and Izumi meets a girl named Parizatt who has lost a leg to a mine.

Husband and wife Michiko and Takao move from their urban existence in Tokyo to the isolated, rural farming village where Takao grew up.

One day, a deaf photographer, Miki Yamashina, happens to meet a young man, Makoto Shibata, on the street. Shibata had been averse to human contact ever since he ran over a child, but Miki finds an unexpected way to support him.

No plot available for this movie.

Kenichi, a fifth-grader, moved from Tokyo to the Ina Valley to receive treatment for his asthma. At his new elementary school, he meets Sabu, the class clown; Masaru; and Karen, a girl born in Brazil.

Taku Shinjo spins this rural drama about ancient taboos and encroaching modernity. Takamine (Gitan Otsuru) is a big-city workaholic sent to a small remote island to seal a business deal. His predecessor almost managed to convince the island's 17 inhabitants to sell their stake and make way for a resort hotel -- that is, before he died under dubious circumstances. Takamine finds the islanders polite and kind but unwilling to discuss business; instead, they tell him to become an islander. So the city-slicker stuffed shirt loses his tie and starts to help the women plant and the men fish. He soon makes his acquaintance with Takako (Mitsuko Baisho), the widowed daughter of the island's chief. She lives alone with her crazed son who is kept Jane Eyre-style chained to a stake. One moon-lit night, their mutual attraction boils over, resulting in a naked, passionate roll on the beach.
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