Biplab Chatterjee

Kigan, an artist, decides to create the world's largest Durga idol at Deshbandhu Park in South Kolkata. However, the enmity between friends and bruised egos threaten to destroy his mammoth endeavour.

Jaya Prada in Atanu Bose film.

Giaa and Arnab are a married couple, who visit Arnab's ancestral palace 'Chowdhury Rajbari' for a romantic getaway. Once there, Giaa experiences strange occurrences and memories of a past life. In her search for truth, Giaa comes across Dr. Oindrila, who assists her in her search. But trouble starts when they come across more questions, instead of answers.

Local Bhojpuri politicians fight each other and unleash terror on villages in order to grab land from poor farmers after Pramod, a righteous young leader, dies.

Eight years ago she emerged, two months pregnant, from a nearby river with no memory of her past or who she is. However, she's getting closer to finding out about her past.

When Bancharam suddenly dies, his spirit visits zamindar Narahari Dutta to ask for his help and stop builders from taking over his land.

Young spirited Nanda Sen leaves his city home and luxury of urban life to join as the village Postmaster of Plassey where his life was comforted with the service of orphan low-caste housemaid Ratna and his only friend there school teacher Rabibabu. Ratna's charm appealed to him and Nanda married her against society and family. Succumbed to his father's last wish to marry a suitable match, Nanda landed in a crisis and escaped his desired family life. Nanda couldn't overcome this sin and finds solace in the next life.

Guti and Malhar are happily married and Guti is a housewife. However, she gets bored and decides to go on a trip from Dum Dum to Digha with her husband.

Monideepa (Sohini) is the wife of industrialist Arun Chowdhury (Neel). A strange letter and she disappears. To investigate this disappearance of his wife Arun takes resort of former CBI officer and private investigator Rudrajit Roy (Chiranjeet). But the story is not as simple as it seems. The film begins two years ahead of the disappearance and goes back to trace the eerie story.

Malhar is a typical loser. He can do no good, say no good and can possibly be up to no good. On top of all this generic incompetence, he has created himself a blood rival – his cousin, Bhatkai. Bhatkai wants the ancestral home they live in all for himself, and using his un-Malhar-like qualities of competence and deception, makes life hell for poor Malhar and his parents. Bhatkai and his parents not only try to drive them away from their ancestral home by appointing tantriks, but they also appoint Guti, a female snatcher, to make their purpose more effective. Will Guti manage to wreck Malhar and drive him away from his own house? Or will the simple innocence of Malhar manage to work a miracle not even Tantra can make