
Kim Ki-duk (December 20, 1960 – December 11, 2020) was a prolific South Korean writer-director of idiosyncratic, allegorical, and often extreme and transgressive arthouse dramas, best known for "The Isle" (2000), "Spring, Summer, Autumn, Winter... and Spring" (2003), "Samaritan Girl" (2004), "3-Iron" (2004) and "Pieta" (2012). His films have received many distinctions on the international festival...
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A documentary about the iconic 21st century Korean film director. An exploration of the biography and work of Kim Ki-Duk.

This is a story about an amazing person who devotes his life to his students. Vladimir Fenchenko lit the hearts of hundreds of young filmmakers with love for cinema.

A nostalgic look at the birth and death of arthouse film distribution in Russia in the early 2000s. The story of the company Cinema Without Borders and its two founders, Sam Klebanov and Anton Mazurov.

A short film made for "Venice 70 - Future Reloaded". A mother prepares a meal for her son.

At the age of 74, many people retire themselves or go and spend the rest of their life in elderly’s house. But Kim Dong-Ho has made the decision to live like a young and energetic man until the end of his life. He gets up early around 4 am every morning. He does his exercise for an hour. Then he checks the news and respond to his emails. After that, he takes the bus to his work. He is currently working in a university of film and media, which he has launched himself two years ago. KIM is the same man whom established the largest Asian Film Festival when he was almost 60 years old. Now that he is 74 years old, he has just decided to make his first film as a director.

Filmmaker Hermann Vaske explores the creative Balkan world in the hopes of understanding the meaning of "Balkan spirit".

Made for the Venice Film Festival's 70th anniversary, seventy filmmakers made a short film between 60 and 90 seconds long on their interpretation of the future of cinema.

Documentary on director Kim Ki-Duk looking back at his film career.

A woman goes to France in search for a man who she lost contact with, only to find that he has moved on to Venice. On her way to Venice, she faces a horrible incident in the train which makes her painfully question herself about life and relationships. And when she makes a frightening conclusion, the question becomes the share of the audiences.

A condemned prisoner slowly falls in love with the married female artist who decorates his prison cell. Jin is a convicted killer awaiting execution on Death Row; Yeon is a lonely artist locked in a loveless marriage.
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