
Zhang Xianmin, professor of Literature Department of Beijing Film Academy, independent film critic and curator. He is a judge for film festivals and competitions such as Hong Kong, Taipei, Busan, Yunzhinan, and China Documentary Exchange Week. Organizing exhibitions of Chinese independent films in Brazil, Italy, South Korea, Austria and other countries.
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Gu Wentong learns the whereabouts of his father, who lost contact with him more than 40 years ago. Encouraged by new friend, photographer Ouyang Wenhui, Gu Wentong decides to face his father and rebuild the long-lost father-son relationship.

Wu is in her mid-twenties and lives with her mother in a traditional one-story house in one of Beijing’s hutongs. Both consider themselves to be writers, but success has so far eluded them. The fact that Wu is supported by a divorced, elderly man helps the women through lean periods. Their unhealthily close relationship is characterized by reproaches and quibbling; only during meals do they appear to lay down their verbal weapons. The situation escalates when both Wu and her mother hit an emotional low.

A Chinese couple visits the daughter they gave up for adoption 30 years ago.

Xiao-Li is a devoted housewife and an active member of her local Catholic church in the farmlands of southern China. Her faith is put to the test when her husband is hospitalized with respiratory illness caused by unsafe working conditions.

Yu Hong leaves her home village and starts university in Beijing, where she develops a consuming and compulsive relationship with another student. The student riots from 1989 then ensue and take a toll on their lives.

A policeman investigates an introverted signal-station manager suspected of raping a hotel clerk.
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