
Charles Rooner was born in 1901 in Vienna, Austria. He was an actor, known for Plunder of the Sun, Sofia and En cada puerto un amor. He was married to Luisa Rooner. He died on 22 November 1954 in Mexico City, Mexico.
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Marital problems and Ofelia’s physical and mental illness (Rosa Carmina) drive Emilio (Francisco Petrone) to seek pleasure. He meets Carmina, a prostitute who, together with her pimp, plans to ruin him by mocking his situation.

Mexico miner Pete Carroll is in Acapulco and meets Terry Perreau and falls in love with her after he hears her singing on a recording of "Extraño amor". The troubled Terry decides she wants to go shark fishing, so Pete poses as the skipper of a fishing boat, owned by Thursday, and off they go. Pete lands a mantray and cuts it up for bait and the sharks are soon swarming, and Terry dives in the water. Terry does likewise and fights a few sharks and gets his leg gashed but finally rescues her. Gradually, her friendship also turns into love. But back in Acapulco she learns of Pete's "fake skipper" joke, is all hacked off and goes to Mexico City with her friend Dr. Antez. There, a specialist, Dr. Rivas tells her that unless she has a dangerous operation she has only three months to live. Depressed even more than usual, if possible, she returns to the hotel and is met by!

Thieves break into a scientist's laboratory to steal a secret formula, and in the process they kill his daughter. Enraged, he develops a formula that will turn an extremely ugly woman into a spectacular beauty, and then uses the woman to take his revenge on those responsible for his daughter's murder.

An American insurance adjuster, stranded in Havana, becomes involved with an archaeologist and a collector of antiquities in a hunt for treasure in the Mexican ruins of Zapoteca.

Man in the final stages of a fatal illness gets immersed in a new romance and a murder investigation.

Ruined alcoholic doctor escapes a tropical plague and begins a new life back in civilization, taking over the identity of a dead man.

Traveling salesman meets a young woman who's running away from home, and helps her evade detectives who are tracking her.

Returning veteran with PTSD/amnesia returns home and gets tangled up in a criminal investigation.

A worker overwhelmed by the economic crisis and the cost of living is accidentally propaganda of a political party, apparently from left, who convinces him to join their ranks and defending the working class. After entering through a ritual as mysterious as typical, you will realize demagoguery and arrangements existing between union leaders to maintain the status quo unchanged and profit from mafia practices.

Negro Es Mi Color (literally translates to "Black Is My Color"), the 1951 Tito Davison Mexican racial musical melodrama (about a light-skinned Mexican woman with dark-skinned parents who passes as "white"; a Mexican version of "Imitation of Life")
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