Igor Samobor

Guti (35, Slovenian) and Sig (50, Icelander) wake up naked and handcuffed to one another on a riverbank near Ljubljana. Sig suffers from memory loss, while Guti recalls a fight with skinheads Sid drunkenly participated in and Guti tried peacefully to intervene in. Sig has no passport or any clue about his identity—the skinheads have taken everything he owned. Guti is trying to build a new home for himself on a river raft after losing his house to the bank and his life to his ex-wife. He introduces Sig to his friends—suburban misfits, who remind Sig of a legend of the hidden people.

Mak, a young man working his night shift at a gas station, encounters Nada, a female truck driver. They bond over their shared Macedonian roots and find comfort in each other, as they attempt to escape their individual loneliness.

A traumatic event – a sudden suicide attempt – opens a gap in the everyday life of a family of three. Their lives change fundamentally, as if they've been pulled into a war invisible to everyone else. The plot is limited to the most acute, a short period of time and a situation that boils down to the most important thing – to save a loved one. The film was based on the personal experience of the director, who also plays the leading role.

Firmly believing her own life is no more precious than the lives of the innocent people being persecuted, with the help of a few friends, Diana embarks on a perilous campaign of rescuing more than 10,000 children from the Ustasha camps in Nazi-occupied Croatia.

Hana, a young woman in her late twenties, has been faced with the most difficult decision in her life: to give birth to a child that will very likely have a congenital genetic disorder; or to have an abortion.

Relations between the students and the new teacher of German are extremely tense. When one female student commits suicide, her schoolmates blame the teacher for her death. An awareness that things are not quite so black and white comes too late.

Luka (19) is leaving a youth care centre, his only sanctuary for the past nine years, after his mother and relatives abandoned him. His wish is to find out where his father is buried. At his work, he falls in love with a lively girl named Ajda (19), and they begin a relationship together. While searching for answers from his past, Luka finds out a shocking family secret. He finds his only solace in the love he has for Ajda. He wants to move in with her, but Ajda hides her true feelings from him. Luka soon finds out that Ajda holds a family secret, too.

A police inspector investigates an unusual suicide case. The investigation develops into an obsession, inspector starts living in the apartment of the deceased, digging through his life and gradually taking over his identity.

For the End of Time is a film about the mind… a film about the body and our inability to merge these two entities which are shaping a form of civilization known under the term “human”. A human is not a being unto itself. A human is a construct… a civilization-related coding of a certain precise time and place. A human is not a uniform creature. A human is a split between many things… but the worst is the split carried inside… that between the mind and the body… How can we feel others, if the only universe that an individual truly lives in and feels is his or her own universe? How can you feel for the other… How can the other feel for you? Only as much as the pain of the other resembles yours – thus as a reminiscence of one’s own pain. This is the only way. For the End of Time is a film on a quest… for the eternal longing “to find the real thing.

Married to a wealthy meat dealer, Mojca (45) is worshiper of fine art and mother of two grown-up kids. Desperate for love and passion, she becomes an object of video installation which her ex-lover and now renown conceptual artist Milos is completing with a help of her daughter Nika. Mojca’s hunt for love becomes a wild journey for everyone involved in this film, including the crew shooting the film Installation of Love…