Eva Svobodová

No plot available for this movie.

The director Ivan Balaďa was not allowed to finish this gloomy, black-and-white parable, inspired by Chekhov's short story Pavilion No. 6 - only after the fall of communism, more than twenty years later, did the film hit the cinema screens, unfortunately to negligible acclaim. In fact, it is only now that we can fully enjoy the story of an aging, increasingly exhausted mental institution doctor who is inexorably sinking to the level of his patients.

Films for children gradually fell into the grip of expressive and content sterility, succumbing to exhortative, educational tendencies. This is also the case in the story of a 14-year-old girl who has been accepted to the conservatory, but a sudden accident, a broken arm, makes her rethink her priorities - she learns that it is possible to engage in other activities than the tedious practice of piano etudes.

No plot available for this movie.

The idea of mystery unites the three debut stories - the original Bermuda Triangle with its mysterious phenomena has begun to shift and can be traced anywhere in the world, including Czech and Slovak territory. Here, too, unexplained shifts in space and time occur. This idea is supported by the aforementioned short stories, but the inventiveness of the subject matter and staging is very heavy-handed, and the film passed through the cinemas without much interest.

The eighteen-year-old young man will one day make a living as a shoemaker, but his greatest love is hang gliding, for which he is willing to sacrifice anything.

This film is a psychological study of a woman who chooses solitude as an escape from the duplicity and emotional barrenness of the men around her.

No plot available for this movie.

No plot available for this movie.

The 50th anniversary of the Barrandov studios was celebrated with a spectacular show: many directors and other important people gathered in the expensive decorations of the Variety Theatre auditorium (built for the Circus Humberto series). They smiled and showed well-deserved relaxation after a job well done in managing socialist cinema. Vladimir Sís interspersed this with excerpts from films, mainly his own and also a little of others who had worked on the "Hill of Dreams".