Sílvia Buarque

After taking in an abandoned child, Teresa meets Antônio and the two begin a journey on the roads. The common past, for them, is the memories of a city submerged at the bottom of a dam. Life is a dream, but the future is uncertainty.

Despite her position at the epicentre of the Brazilian bossa nova scene, singer Heloísa Maria Buarque de Hollanda, known as Miúcha, has been largely underappreciated. This documentary, which dives into her career and personal life through a rich collection of archives, aims to change that.

Two moments in the life of Pedro. First in 1997, he lives with his family in Rio de Janeiro and works at Gás do Brasil, a company that is undergoing a tough restructuring process, with layoffs and early retirements. Soon, privatization will come. In the second moment, two years later, Pedro lives retired in his hometown Barbosa, in the company of his childhood memories, his dog and his girlfriend. By interweaving these two moments in time, we put ourselves in Pedro's skin and experience his fears and delights.

No plot available for this movie.

Silvia is an introspective young girl who is not interested in the daily routine between family and school. Everything abruptly changes when Artur arrives unexpectedly in her class, after being banned from several other schools. Silvia is amazed by the vitality of the boy, who actually suffers from a serious illness – hemophilia. The two immerse themselves in an intense and brief coexistence, interrupted by an accident in which Artur’s bleeds to death. Silvia gets sick and sees her life turn into a strange nightmare. The mourning gradually becomes an obsession, and obsession becomes a goal – Silvia will do anything to bring him back to life.

In an arid and poor region of Brazil, bikers search for a miracle to make it rain and save the land, risking their lives.

A once-rich family of women in Rio de Janeiro must sell their mansion in order to keep their high standard of living, but the proximity to the slums disrupts business.

The Gran Circo Teatro Americano takes its attractions to the northeastern hinterland. In the city of Aracati, the troupe puts on a fun play about the crisis in hell. With a rochamboesque plot and inspired by string literature, the attraction shows the arrival of the bandit Lamparino to hell and how Lucifer participates in international capitalism. Meanwhile, behind the scenes, loves and tragedies move the lives of artists.

Luiz Gonzaga decides to change his destiny and leaves his childhood home for the big city to overcome a romance. When he arrives, he meets a woman he falls in love with, the Odaleia (Nanda Costa). After the birth of his son and his wife's health complications, he decides to return to the road to ensure a better future for his son. He has a friend in Rio de Janeiro and with him leaves the little one and heads to Brazil. He didn't imagine that this distance between them would develop into a complicated relationship, enhanced by the strong personalities of both. Based on conversations between father and son, this is the story of Luiz Gonzaga, a singer and accordion player known as Rei do Baião or Gonzagão.

Alê Félix, a blogger, wrote a text for her blog, called “Sobre o Menino do Rio”. That was in 2006. The text is beautiful and very sensitive. Some time later, filmmaker Felipe Joffily, among links and texts he read to research the song Menino do Rio, read Alê's text and was enchanted.