Amulette Garneau

Fredo just inherited his uncle's company but it bores him. Then he meets Angelo, a French movie director that introduces to the magical world of feature films. Suddenly, Fredo sees himself in different films. Soon, Fredo discovers that Angelo has a hidden agenda...

A TV film staging of Michel Tremblay's play "Sainte Carmen de la Main" by André Brassard.

A day in the life of two Québec families reunited for their children's wedding.

Marcel, recently released from prison, attempt to rebuild his relationship with his girlfriend Julie (now a prostitute) and especially his father Albert (who thinks he's been away on a long trip abroad), while being pursued by two corrupt cops (one of whom bears a longstanding grudge against him) for drug money he's alleged to possess.

When 24 year old apiring actor Mathieu meets and falls for 39 year old Jean-Marc who has just ended a seven year relationship, things are not all roses. In addition to their age difference there's the matter of Mathieu's five year old son from a previous marriage.

Continuing a saga that began with his previous, 1978 film, Vautours director Jean-Claude Labrecque returns with the French Canadian, Louis Pelletier and puts him in the context of the growing separatist movement in the late 1960s in Quebec. At that time, supporters of an independent Quebec began to consolidate their power under the Parti Québecois -- and the story of Louis and his wife Claudette are meant to illustrate this watershed in Quebec's history. As the film begins, Claudette and Louis are about to get married -- and their wedding day significantly coincides with preparations for the visit of Queen Elizabeth II. Years later, they are well-established in Montreal and are enjoying visits from their family -- and then their lives start to deteriorate. Louis is suddenly out of work, and as he faces the difficulties of finding another job -- and of living precariously -- he becomes more radical, less accepting of the status quo.

A young woman, living with her parents and siblings on a remote farm in harsh, picturesque northern Québec, has three suitors: a steady and unimaginative farmer, Eutrope, the Americanized and wealthy Lorenzo, who has sought his fortune in Boston, and François Paradis, a rough and virile logger who captures her heart despite the warnings of her parents and the village priest. For a year, marked by seasonal change in an atmosphere charged with the strangeness of Indians and the demons of the woods, we see Maria at work and prayer, struggling with decisions, choosing to stay in Canada, in love with François, seeking to change his rough behaviors, and dealing with extraordinary loss.

The lives of the average Quebecois Plouffe family during the final years of the depression and through World War II.

Les Grands Enfants does not tell a story in the traditional sense. Instead, it offers an honest image of people's dreams of change : people often unemployed, dissatisfied in some way with their work, or caught up in complicated social relationships. The film is set in Montreal.

A television host tries to react to the process of alienation that the public is subjected to from variety shows.