Anjan Dutt

In the relentless race for status and success, Kolkata's famous surgeon Dr. Dipankar Sanyal and his wife Shalini lose touch with their roots—and their teenage daughter, Disha. Seeking solace in the digital world, Disha’s profound loneliness triggers an unimaginable crisis that turns high society against them.

An elderly couple in their 70s revisit the regrets, heartbreaks, longing and acceptance in their five-decade-long marriage, all in one poignant night at their hillside retreat.

A judge, who never grants divorces, challenges a quarreling couple to swap roles. When one spouse discovers the judge's own 27-year divorce saga, he plots to reunite the judge with his estranged wife.

Documentary on Aparna Sen's life.

A lonely, retired police officer decides to travel. In his quest, he meets a lady, and they both search for life and love in their late 60s. They relive moments gone by, seeking to finally find their "Happily Ever After." Will they manage to do so?

In a fading North Calcutta Rajbari, Titli clings to routine after her husband Shaon vanishes. As Durga Puja nears, Megh arrives, an unexpected guest who brings warmth and a painful revel of thought. Amid rituals and memories, unspoken grief surfaces, stirring buried emotions, silent longing, and the ache of unfinished stories.

Set against the vibrant backdrop of a traditional Bengali wedding in Cooch Behar, Biye Fiye Niye is a witty, contemporary exploration of love, friendship, and the evolving institution of marriage. On the surface, it's the joyous celebration of Sromona, a young woman finally ready to marry Rohan, a charming Delhi-based groom. But as the guests—friends and family from both sides—gather in festive fervor, a complex web of relationships and secrets begins to unravel.

A tribute to auteur Mrinal Sen, the film intricately weaves the personal and professional journeys of Kunal Sen and Ranjan through their collaboration on an ambitious film project, Chaalchitra, in 1981.

Mrinal Sen is in his early days around the time of India’s independence, where he is a struggling idealist with an all-consuming hunger for cinema but unable to feed himself or his young wife, to 1950s Calcutta, where (alongside Satyajit Ray) he helped start the Indian New Wave cinema movement.

Kaushik Ganguly will bring the story of dismissal in his new film ‘Palan’ in the context of 2022. The characters of Kharij will remain the same, the names will not change. The story will change a bit to keep pace with the context of this era.