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A bitter comedy performed by Divadlo Viola about Ema Destinnová and success that is unforgivable in Bohemia. Four women who were once close to Ema Destinnová bear witness to the successes and downfalls of the "immortal singer," but above all to Czech envy and pettiness, which are apparently also immortal.

Adam is a young farmer. As a child, fleeing the bleak reality of his mother's life as a prostitute, he tumbled from a mountain and was mentally injured. Years later, his mother is dying, so Adam sells their only cow to pay for medicine. Rosa, a beautiful young maid, fleeing the sexual exploitation of a wealthy butcher, climbs up to join them on their remote farm and dares to become part of Adam's world. A cycle of life begins again, in a remote turn-of-the-century village tied to the land and its animals.

Oligophrenic Fany (Bohdalová) lives with her aunt who suddenly manages to travel abroad. Fany has to move to her sister (Jirásková). Two very different women, one mentally disabled and the second one intelligent doctor has to live together and learn from each other about tolerance, loneliness, life and why call dogs "Mister".

A 17-year-old student unexpectedly gives up her newborn for adoption and must confront the emotional fallout, family tensions and societal shifts of the tumultuous post-revolution era as she seeks to understand her choices and find her own way in life.

The main character of the story, which is a sensitive probe into the soul of a little girl, is five-year-old Kačka Znamínková, who lives with her parents in a picturesque village in the foothills. And because she has a very vivid imagination, she becomes not only a princess with a golden star on her forehead, but also a princess on a pea or a crocodile hunter. Together with her parents, she is expecting a new sibling to be born any day, but she will only be happy if it is a little sister. She doesn't even want to hear about a little brother. But in the end, instead of the expected little sister, she gets two brothers, so...

In the second half of the 1980s, so-called critical films began to emerge, but they were afraid to make a sharper statement, moving on the basis of an engaged morality that wanted to improve the existing conditions cosmetically at best. The theme of the search for a new anchor in life becomes a central element: the protagonist, after returning from the war, does not want to devote himself to the constraints of elite sports, he rejects the dubious business of a friend. Most of all, he would be attracted to a perfectly ordinary job in a bakery. The dance clip inserts, however, make it difficult to navigate the already rather confusing narrative.

Viktor Mezek, a respected mentor to apprentices, invites his orphaned apprentice Laco for Christmas when his relationship with Hana falters. After the holidays, Laco is taunted over rumors of a homosexual relationship with Mezek and beats a fellow apprentice, risking expulsion, then disappears. Mezek searches the town, his son meanwhile visits and Hana shows them old home footage, until Viktor locates Laco hitchhiking and tries to stop him.

A boyish dispute over drums full of scared pigeons.

Sometimes it's hard to understand what's important in life... The main character of the story, young Magda, works in a small textile factory in North Bohemia. She has no big goals in life, only girly ones. He wants to have fun and, most importantly, make some money fast and get married. In his new environment he has eternal conflicts with an old worker who hates sloppy work. Magda falls in love with a young railwayman, but love doesn't turn out as she hopes...

Despite the initial mistrust of others, former glass worker Štěoán Urban becomes the founder and first chairman of the local agricultural cooperative. However, 1968 arrives and with it comes previously unexpected problems.
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