J. Léo Gagnon

A friendship between a good man with bowling as his only passion and a queer albino.

The lives of the average Quebecois Plouffe family during the final years of the depression and through World War II.

In a little village at the end of the 1890's, a young woman offends all the 'right-thinking' villagers by allowing men in her house in the absence of her husband. When he is found dead, all of the suspicion is directed towards the liberal woman. She is judged more for her morality then for the crime she is accused of. Her culpability is still a subject of debate today.

In this French–Canadian oddity of music and drama, an actress in a traveling musical revue is involved with the show's director until she meets and falls for an aging ecological activist. He too is drawn to her, and together they try to stop a factory from being built over an old-growth forest.

Lucie the Quebecker and Nicole the Frenchwoman with the "funny accent" are both twenty-six, single and share their Montreal apartment as they share their joys and sorrows. The first works in radio, the second in an airline company, and both have a married lover who, every Friday evening, rushes off to a home that has been forsaken for a while, saying: "Bye, see you Monday"...

No plot available for this movie.

Industrial pollution causes water poisoning and generalized sickness in a nearby city and is the start of a major news scandal.

Unable to keep her social commentary to herself and concentrate solely on her show dancing, the girl in this film is shot to death in the Quebec woods by people who don't want propagandizing about Chile to be openly voiced. She is discovered by a mysterious stranger, who heals her wounds and reanimates her by blowing on them. After he takes her back to his cabin, they fall in love.

Robert decides to drop everything and go back to his homeland, accompanied by his daughter and a couple of friends.

In a poor neighborhood, teenagers plot an assassination while a party is being organized for the local usurer.