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One evening, the cable TV connection disappears in an apartment building. The residents are told that they can no longer watch cable TV. This leads to an unprecedented sense of unity among the residents. They decide to form an antenna association, with media expert Per as chairman. As Per gets closer to Kim, he tells her that he is actually an antenna installer. When Per soon finds out that she is a nude model, he is not only thrown out of her life, but she also begins to speak negatively about him. The antenna association reaches a preliminary climax when the building's oldest resident falls from the roof.

Anja is a beautiful and very well proportioned high school senior... and still a virgin. She insists that she wants her first time to be with a guy, who knows what it's about. Her rich (and arrogant, pretentious and obnoxious) boyfriend Peter serves the purpose, and he's more than willing. In fact, he's pushing forward as much as he can, but Victor, a freshman who has a serious crush on Anja, has other plans. Her first time should definitely not be with this buffoon, and he's ready to take it VERY far!

PUK SCHARBAU plays Lise Nørgaard in the epic film adaptation of her fascinating life story. In a chronicle of both love and war, masterfully directed by Peter Schroeder, we follow the woman who would later give us 'Matador', from her early childhood to her controversial career as a journalist with a Denmark of yesterday, and a Europe in flames as convincing backdrop.

The story of thirty something florist Hannah who lives her life on her own terms until she encounters the young Per and he offers her a new perspective on life.

A pair of octogenarians meet, fall in love, and have a passionate love affair, much to the horror of their disapproving children.

After librarian Isolde attempts suicide, she leaves her politician husband for a younger student with a dark past. Isolde's former husband, however, has something else in mind for the young man.

FINAL ACT is based on Noel Coward's play "Waiting in the Wings". Even the smallest events turn into mind-blowing dramas at The Set, a retirement home for former actresses in England. Jealousy and madness flare into a firework display of toxicity when ex-primadonna Lotta Henderson (Birgitte Federspiel) moves in. A slap in the face of The Set's leading star in her own eyes, May Davenport (Mime Fønss), who has had a lifelong rivalry with Lotta both on stage and off. The daily dramas reach dizzying heights when a scandalous journalist (Anne Marie Helger) gains access like a wolf in sheep's clothing. A stunt that has a not-so-clever connection to the ladies' burning desire to be granted a veranda. The matter is raised to the highest level of the home's tough board of directors, and The Set's secretary Perry (Holger Juul Hansen) comes under justified suspicion of skulduggery. But this is where May Davenport's diva talent comes in as a sure trump card...

Coffee has been outlawed and an organization of retired people smuggle coffee from the Swedish mafia, while Walter pursues his new love interest and Carlo deals with a midlife crisis after being dumped by his girlfriend.

When a boring collage professor is mistaken for his cousin, he gets into all kinds of trouble, with hilarious results.

A woman, Ilse Brehmer, finds the body of a dead man, a journalist. He has been murdered, and later when the body turns up in the harbor, the woman denies everything, even though witnesses has seen her nearby the crime scene. She simply can’t remember anything, but the detective on the case, Mørck, knows how to smell a lie and soon start to unravel this bloody mess.
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