
Alexis Damianos (Greek: Αλέξης Δαμιανός; 1921–2006) was a Greek, film/theatre and television director. Damianos was born in Athens on January 21, 1921. He studied in the National Theatre of Greece and the philosophy department of the University of Athens. He was the founder of "Experimental Theatre" and "Poreia Theatre", where he directed a lot of plays. Damianos directed three feature films whic...
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Directed and created by Shane Ryan, the movie was shot shortly after the events which inspired it (15 year old Alyssa Bustamante was convicted of killing her 9 year old neighbor, Elizabeth Olten). Compared to the likes of David Lynch, Larry Clark, Harmony Korine and John Cassavetes, the film dares the audience to watch it, confronting issues with kids and teenagers often sugar-coated by Hollywood. The movie tackles hard-hitting subjects like self mutilation by teen girls, bullying, rape, bulimia (showcasing the actual damage it does to a girl's body) and, of course, the murder.

An approach to the phenomenon of Thanasis Vengos, the man and the artist, through film excerpts, testimonies of his collaborators and relatives and analyses of his symbolic role in the post-war modern Greek reality. Thanasis Vengos, for more than fifty years, was one of the most important actors in Greece. His films and lines are written in history, raising more than three generations of Greeks.

A successful young Athenian lawyer, Theodora, who is the daughter of a general, takes on the case of Mantzavinos who is a grocer in Kolonos. Trying to avoid the usual hum-drum approach, she becomes involved with a strange gang with a blind beggar for a leader, Linos, a former teacher, and current idol, of hers, who seems to Theodora like a modern Oedipus. Linos' companion and right-hand man is the former caretaker of the school. The group is completed by two sister-hookers, Anta and Mina, who work in a brothel housed in the school building and who sometimes force Linos to beg for money. The gang is planning a "big score", the theft of the antiquities of Plato's Academy, but Theodora's reluctance, combined with the timely intervention of the police, cancel the plan.

An adaptation of Alexandros Papadiamantis's short story. Passion for a woman and some desperate thoughts push a young man to secretly take a stranger's boat and set sail. The wind carries him away and he is shipwrecked. He comes to in a cave, near the deserted shores, among three eccentric people who, each for their own reasons, live on the margins of society. He listens to them recount their personal stories with humour and self-deprecation. But behind their seemingly ill-fated romances, he discerns true love.

This Greek-Bulgarian-Cypriot co-production depicts the plight of Albanian illegals in Athens and its Piraeus port. Greek intellectual Christos (Akis Sakellariou) unintentionally falls in with a streetwise group of manipulative Albanian scam artists, including Victor (Armando Dauti) Omer (Laert Vasili) and Fuad (Muzafer Et' Hem Zifla). Minus papers, they are nevertheless successfully able to get by in Greece. Eventually, Christos takes a trip to the Albanian village where the duo grew up amid murderous blood feuds.

An ailing, elderly poet reminisces about his life of unrest and homosexual urges.

A social drama covering fifty years of Greece’s recent history, using the statue of the Delphi charioteer as a symbolic image, with the young hero embodied in a modern counterpart.

Dimitris Lembessis gets out of prison, pays his friend Stratos a visit and kills him. With Ilias he organizes a big jewel heist. During the operation they discover that someone has ratted on them. In their attempt to escape, a police officer is killed and Ilias is mortally wounded...

At the turn of the twentieth century a young merchant is abducted by a group of brigands who are sheltered in a remote mountainous area of Greece aiming to extract ransom from his wealthy family. The young man develops a kind of sympathy to the arch-brigand and realizes that the underground life and moral code of his kidnappers actually represent a more genuine expression of “New Hellenism” than his bourgeois well-being.

A young man pushed beyond his endurance remembers his life on the roof of a tall building. He's there to commit suicide.
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