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As in the novel of the same title from Camilo Jose Cela, "La Colmena" is a sad composition with the stories of many people in the Madrid of 1942, just the postwar of the spanish civil war. The main theme of the film is the contrast between the poets, surviving close to misery under the Franco's regime, and the winners of the war, the emerging class of the people that makes easy money with illegal business.

Drama based on the true life of a group of middle class and members of the Communist Party of Spain, who were involved in clandestine political activities during the sixties.

After the death of Franco, the nostalgic fascist regime attempts to preserve the 1936's order.

Berta (Tota Alba) has entered, once again, in prison accused of fraud. From the first moment she steps in the jail, she becomes the toy of all the veteran inmates. The number of conflicts in which she is immersed causes her to be transferred several times from penitentiary. In all of them will live some experience that will change her life; she will know love, hate, despair, etc.

Miguel is a young Spanish naval engineer in love with an American student of History of Art. When she becomes pregnant, she decides that the easiest solution to her situation is to marry her civilly. However, in Spain in the 1970s, prior to the passage of the Divorce Law, the only way to do so is to apostatize the Catholic Church. For Miguel, a believing devotee, taking this step involves a deep inner conflict.

La Coquito is a Cuban cuplés, coveted by men for her beauty and sensuality. After great hardship in Cuba, she accepts the proposal of a Spanish businessman to work in Madrid. There she meets various men who will compete for her love.

Laura, a pianist who has left home to flee her abusive husband, meets Marta, a vedette with whom she will work on the preparation of her new show.

Sergio falls in love with Federica, the maid of the house whom everyone calls "Volvoreta" ("butterfly" in Galician). Aware of the situation, the mother of the young gentleman dismisses the maid, who has no choice but to go to the capital city. But Sergio's love is so strong that he will follow her wherever she goes.

Enrique buys a color television set just to satisfy a personal pleasure long time deferred but, from that moment on, he becomes obsessed with it in such way that eventually he is incapable to differ reality from fiction.

A Spanish insurance company is absorbed by a multinational, so that, in order to modernize, its employees are obliged to carry out some training courses to adapt to the new situation and the new objectives. Given the relevance of what is at stake, the wives of these men will also be involved at work.
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