Mário Moutinho

In a rural landscape, that resembles an old Portugal, an elderly man find out that his wife, whom he believed to be dead, was seen shopping in town. Spiteful and sad, he wants to hide from everyone, but his friends insist that he uses this situation to become stronger and try to get married again.

In 1496, King D. Manuel prohibited Judaism. 400 years later, Barros Basto, a Portuguese army captain converted to Judaism, and about twenty Jewish merchants founded the Jewish Community of Oporto, in the north of Portugal.

It tells the story of a Brazilian filmmaker, Lucas. When his mother, Alice, dies in Belo Horizonte, he searches for his family's Portuguese roots across the ocean, discovering an intricate love story. Lucas's father, Olavo, was the son of a very wealthy Portuguese industrialist, Joaquim, who was disinherited when he married Alice, Lucas's mother, a very poor woman who lived in a rooming house in the city of Porto, Portugal. With the Second World War looming, they all left for Brazil, settling in Minas Gerais. While investigating his distant past, Lucas makes discoveries about possible criminal acts committed by his own father, Olavo. Lucas is helped by Teresa, a young Portuguese woman who works as a restorer of old Portuguese churches in the interior of Portugal. Lucas, assisted by Teresa, seeks to reconstruct the stories of his mother Alice, and ends up falling in love with Teresa.

In a society where the weak are oppressed, Sofia and Michael share their life stories through a wall

Pedro is a young man, carrying the weight of the world on his shoulders, but one day, he wakes up feeling different.

A widow, a corpse, an undertaker, a young woman in a family way. Life and death meet in a funeral procession down a stairwell.

Vanitas is the new feature film by veteran Portuguese director Paulo Rocha. With a script by Regina Guimarães, the film brings together actresses Isabel Ruth and Joana Bárcia – no strangers to this director's world – in a story about a depressed fashion designer who falls in love with the daughter of one her tailors.

An act of passion, filmed in a church turned into a bar, on Easter 2003, and starring as many actors as the days of the year… Taking the sacred painting as a reference, the film questions the human condition: letting oneself die like Christ or betray scientifically like Peter?

In order to make some much-needed cash for himself, 65-year-old Portuguese prison inmate Eugenio impersonates a young woman and begins a romantic correspondence with a lonely Portuguese truck-driver living in Boston, convincing him that her tragic life has culminated in financial dire straits so he will send money. At first Eugenio's sister Idalina assists him in creating the character of Maria da Luz. Touched by her sweetness and apparent loving nature, the trucker willingly sends her money. When Idalina starts fearing they will be caught, she backs out of her arrangement with Eugenio who then convinces his young cellmate Vasco to help write the letters and even sends a picture of himself at age seven to "prove" that Maria has a young son. As prison life exacts an increasingly heavy toll upon Eugenio's health, his feminine alter-ego helps sustain him.

A woman takes her young son, leaves her husband and moves in with her lover. The boy, desperate to get his parents back together, becomes convinced that if only he can get his father's stolen motorcycle back everything will be fine again, so he sets out to get enough money to buy his father a new one.