Broselianda Hernández

At the height of the 1980s AIDS epidemic, Cuban boxing champion Horacio's punishment for failing a drug test is to watch over the brash, combative Daniel, a patient in a sanatorium where HIV patients are compulsorily confined. The two collide as Daniel yearns for freedom while Horacio dreams of returning to the ring.

In a boarding school, Raidel is witness to the abuse suffered by his schoolmate Randy.

In no particular time and space, a family fabricates goat cheese. The mother and the daughter pretend to sell the cheese in a lonely road, but they are really selling their bodies. They leave the hard worked cheese to decay in a pile of dirt and rot. The mother encounters existential desperation when the daughter departs with a costumer and the father prefers the company of the goats.

This historical drama, depicting different phases in the late childhood and youth of the so-called "Apostle of Cuba" José Martí, is most of the time a biopic full of commonplaces often found in this genre, directed by Fernando Pérez, one of the most respected names in Cuban cinema.

No plot available for this movie.

Simón transports illegal immigrants to New York, leaving them to their fate. When he is discovered by the coastguard, a young sailor, named Andrés saves his life. But when Andrés falls for Marie—a young protegée of Simón's—conflict erupts.

Ignacio and his nephew Tomasín are two Galician businessmen sharing a family inheritance bonus with their cousin Divina Luz, cuban-born, but of Galician descent. The division of the property is notarized in Santiago de Compostela, where Divina Luz is received by his unknown family.

No plot available for this movie.

Three sisters leave Cuba in search of a better life in Madrid. While there, they encounter, among other things, other Cuban expatriates.

An approach to a living myth of dance, Alicia Alonso, from the viewpoint of her passion, tenacity and devotion to art. It includes fragments of the ballet Giselle, choreographed by her, based on the original by Jean Coralli and Jules Perrot, and of La Diva, choreographed by Alberto Méndez.