Golda Meir

A look back on the life of Nobel Peace Prize winner, Shimon Peres, who served as prime minister of Israel twice and negotiated the 1994 Israel-Jordan peace treaty.

For over half a century, 60 Minutes' fearsome newsman Mike Wallace went head-to-head with the world's most influential figures. Relying exclusively on archival footage, the film interrogates the interrogator, tracking Wallace's storied career and troubled personal life while unpacking how broadcast journalism evolved to today’s precarious tipping point.

Shortly before her passing, Golda Meir was interviewed for Israeli television. After shooting ended, the cameras kept rolling, recording an intimate talk with the first and only woman to ever rule Israel. As she lit one cigarette after the other, Golda spoke freely, pleading her case for her term as Prime Minister – five turbulent years that secured her place in history, albeit at a high personal cost. Based on these never-before seen materials, testimonies of supporters and opponents and rare archival footage, GOLDA tells the story of Meir’s dramatic premiership – from her surprising rise to power and iconic international stature as “queen of the Jewish people”, to her tragic and lonely demise.

Leila Khaled was the first woman to hijack a plane. In 1969, she showed her grenades to the terrified passengers by order of the Che Guevara commando unit of the Popular Front for the Liberation of Palestine. Through the ensuing media bombardment, she put the Palestinian nation on the global map. The pretty 24-year-old Leila became a hero to many Palestinians, including the Swedish/Palestinian teenager Lina Makboul, who is now a filmmaker. At least Leila dared to do something, Lina thought at the time. She visits Leila 35 years later with a camera, and finds a woman who does not regret anything.

Filmmaker Barbet Schroeder shows the Ugandan dictator meeting his Cabinet, reviewing his troops, explaining his ideology.

The film's subject is a photograph of Jane Fonda visiting Hanoi during the Vietnam War. It asks what the position of the intellectual should be in the class struggle and points out the irony of Jane Fonda's participation in the photo shoot, which was staged.