
Fidel Alejandro Castro Ruz (13 August 1926 – 25 November 2016) was a Cuban revolutionary and politician who served as Prime Minister of Cuba from 1959 to 1976 and President from 1976 to 2008. Ideologically a Marxist–Leninist and Cuban nationalist, he also served as the First Secretary of the Communist Party of Cuba from 1961 until 2011. Under his administration, Cuba became a one-party communist ...
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A deep dive into the lives and experiences of those impacted by the Fidel Castro era in Cuba.

Guided by the evocative narration of Charlotte Rampling, Nostalgia for the Future is a descent into the labyrinthine world of Chris Marker, the “best-known author of unknown films,” who spent a lifetime concealing himself behind a veil of pseudonyms and images of cats. Moving through a constellation of personal documents and film fragments, an archivist attempts to decode the man through the material traces he left behind. By repurposing and recontextualizing Marker’s own body of work, the film treats his images as “time machines,” transforming the archive into a landscape of living memory. Nostalgia for the Future is a meditation on memory, identity, and the power our past images hold over the futures we imagine.

With the release of new documents in 2025, this gripping exploration revisits the JFK assassination, featuring expert insights and theories that leave viewers questioning the truth behind the events of a day that changed history.

In Germán Araujo, director Aldo Novick revives the memory of a journalist who defied censorship during one of Uruguay's darkest periods. Through previously unseen archival footage, testimonies, and music, the film honors the courage of those who reported the truth when it was risky. This powerful documentary is shaping up to be one of the most important Uruguayan film releases of the year.

Jazz and decolonization are intertwined in a powerful narrative that recounts one of the tensest episodes of the Cold War.

Danish documentary about the relationship between Queen Magrethe II and the prime ministers.

An American lesbian in Cuba explores gender through dance and film, blending personal experiences and cultural symbols with music and Revolutionary cinema and questions how lesbians fit into Cuban cinema.

Are even the best and brightest revolutionary movements doomed to inevitable compromise, betrayal and failure? That question haunts this documentary, a biography of Angolan-born Mário Pinto de Andrade (1928–1990), a key figure in African revolutionary and anti-colonial struggles.

Havana, spring 1971: The poet Heberto Padilla has just been set free and appears before the Cuban Writers' Union where he pronounces a statement of "heartfelt self-criticism", declares himself to be a counterrevolutionary agent and throws accusations of complicity at many of his colleagues present at the event, among them, his wife. A month previously, his arrest under the accusation of endangering the security of the Cuban state had mobilised prominent intellectuals all over the world, who wrote a letter to Fidel Castro calling for the release of the poet, whose only sin had been to dissent through his poetic work. The writer's mea culpa, the recording of which is shown for the first time to the public, marks the narrative line of a story including the testimonies of Gabriel García Márquez, Julio Cortázar, Mario Vargas Llosa, Jean-Paul Sartre, Jorge Edwards and Fidel Castro.

In the 1950s, a small group of artists monopolized the attention of the cameras and the public. Frank Sinatra, Dean Martin, Sammy Davis Jr., Joey Bishop and Peter Lawford together form the "rat pack": they sing the most popular hits of the moment, star in the most profitable Hollywood films and are already making a splash on television . This documentary, produced by a recognized specialist in the history of Hollywood, recounts the exceptional destiny of this informal group which flirted with the greats of this world, notably through Sinatra, personal friend of American President Kennedy.
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