Maria Ciunelis

Twelve-year-old Iwo lives in a small, post-communist town that is home to the old and destroyed Black Mill – once a place of work for many parents. Breaking the promise to not approach the old mill, the children accidentally unleash its evil powers. From that moment, nothing will ever be the same again as people and things start to disappear.

Fear, anger, sadness, joy, disgust, envy, shame. Adaś Miauczyński goes back to his childhood days when, like most of us, he used to find it problematic to name the emotions that accompanied him. To improve the quality of his adult life, he decides to return to that time – which proves not so carefree after all – to learn how to experience the seven basic emotions. This extremely unpredictable journey into the past features an abundance of hilarious, even comical, situations but is also filled with lots of touching moments and food for thought.

Bogdan and Roza are a dead marriage. They have been living together in one room, but they don’t speak to each other.

How was it possible that a single man influenced contemporary world so significantly? This film is an attempt to capture the phenomenon of a common man’s metamorphosis into a charismatic leader — an attempt to see how a Gdansk shipyard electrician fighting for workers’ rights awakened a hidden desire for freedom in millions of people.

A middle-aged man wants badly to change his life and go back to the times when he was young, happy and in love.

This is not a love story though it is full of love. It is not a comedy though the characters often say funny things. It is not a detective story even though the hero is trying to solve a murder. It is not a nature drama though it shows the splendid colours and customs of the countryside. It is not a musical though Lubica expresses her longing in a passionate dance. Nor is it a film about ghosts though a ghost does ask the hero for a favour. A few draughts of Strawberry Wine are enough to take us into a magical world in the true centre of Europe, where love, crime and penitence are just as much a part of life as the changing of the seasons, the migration of birds or the flowing of a mountain stream.

In a post-State gmina Osiek, on August 15th the plaque commemorating the liberation of the town from the hands of the Bolsheviks in 1920 will be unveiled. Vogt wants the event to be festive and to contribute to the promotion a the forgotten gmina. He needs a veteran, but where will he find a veteran of the 1920 war? Marian, a village shopkeeper, promises to “find” a veteran in excha

Adaś Miauczyński, a Polish intellectual, has severe alcohol problems which affect his relationship with his son Sylwek.

A grotesque Shakespearean tale of Ubu who comes to power in a bloody way. When his absurd reforms fail and the treasury gets empty, Ubu and his flatterers start implementing terror across the country.

It is a bitter story about a middle-aged man, who hates his life and other people, including himself. Adam Miauczynski, the character known from director Marek Koterski's previous films, is a 44 year-old teacher, who reads poetry during school lessons and later goes home swearing and calling his neighbours' names. The worst pain for him is the next 5 minutes of living. He doesn't accept himself and even everyday contacts with others cause his aggression. Though constantly dreaming of a romantic love, he is not bold enough to make his dreams come true. The desperate Miauczynski personalizes our own fears and obsessions, which have become so visible recently.