Yael Aviv

Jacquo, a shady owner of a Las Vegas nightclub in Lower Haifa, also runs a brothel and gambling den. His business thrives with an entourage of women, but his heart belongs to Galia, his business partner and top call girl. One night, Galia is severely injured in a fight with another worker. Her middle-class sister Yael rushes to her side, adding to the drama.

Israeli mini series.

A Quebec architect, working in Israel, visits a psychoanalyst to learn why he has an insatiable libido.

Story of a war-widow pressured by her friends to behave in the role of the heroic widow, and the journey she takes in a country of people under siege.

Robert Hirsch impresses as he takes on 11 different roles in Alex Joffé's comedy about the six sons of a recently deceased Jewish Casanova. To receive their inheritance, the sons must convene in Israel and recite a Kaddish (memorial prayer) for their dad. But planning the gathering is no easy feat. The film's title is based on the nonobservant son's futile attempts to contact his siblings on the one day when working is forbidden by Jewish law.

A comic and episodic satire, the film uses improvisation to illustrate the clash between fantasy and reality in real life. Although conceived in the style of Mekas’ “Hallelujah the hills” (1962), it’s an authentically Israeli satire, an openly rebellious and individualistic expression that poked fun at the sacred myths of earlier zionist films. The technique of film within the film is used to portray cinema as reflection of the imagination, a miracle based on dreams and fantasies that take on concrete characteristics – parallel to the miracle of Israel, the dream that has become reality. Although not a commercial success, its importance is beyond any measure, though it remains a unique experiment, boldly uncommercial and subversive, out of any context in that patriotic, ideological epoch.