Lucyna Winnicka

The story begins in March of 1968, the days of students protests. A hot- headed student protests the Dean's decision to expell a fellow student on fake accusation charges, upon which he drops out of university rather than make a compromise. He loses everything in the process: his girlfriend, housing privileges - he becomes a coal deliverer. On the job he witnesses an accident that causes death of a fellow worker. He decides to write a story, which is good and a publishing house wants to print it, but only after some corrections are made. He refuses again and the story is not printed. Finally, a story is commercialized and made into a succesful film and brings fame to the original author.

Professor tries to explain his patients's mental anomalies.

A Japanese man dying of radiation sickness recalls his love for a Polish woman he met in Paris.

The main character is a bookkeeper, 40, who lives a quiet, uninteresting life with her husband and son of school age. She realizes that soon she won't be needed much at home as the boy grows up and the relationship with her husband crumbles. It's only when an embezzlement is discovered at the office and she stands up to her management, that she realizes life has more to offer. She meets a well-off former classmate, married to an American. Then she meets Jacek and starts contemplating possibilities of a new start. She discovers love for the first time, but turns to old ways rather than to break loose.

Franek, a petty criminal and gambler, befriends Rysio, who performs inspections of meat plants. Rysio suspects wrongdoings at the slaughterhouse. Franek, despite his age, cannot find a place in life, with nothing achieved and, what's more, still not knowing what to do.

Jan and Maria become a couple in 1930s Kraków. Jan tries to get a job as an architect but fails. They struggle with poverty and extreme humiliation. Their attempt to survive leads to a desperate crime.

On one hot summer night, the residents of a Hungarian apartment house slated for demolition restlessly revisit their haunted pasts as they face an uncertain future. In a gently turning kaleidoscope of dream imagery, regret-laden nostalgia and painstakingly intimate detail, the looming wrecking ball pales in significance to the accumulated experiences each dreamer revisits. Pre-war prejudice, occupying Nazis and Stalinist deprivations all come and go as each tenant’s backward glance yields moments of aching sensuality, infectious exuberance and catastrophic loss.

A story of a man threatened by a fatal illness evaluating his life (the number 322 in the film title stands for the diagnosis of one kind of cancer). He understands his illness as a form of punishment for his cruel deeds in the 1950s. In the face of reality and his efforts to cleanse himself he hits a barrier of indifference, lack of interest, and individual and collective selfishness. He has to find his own reconciliation with his illness and his past and present life.

A story of two young people in Hungary, Jancsi and Kata. First they are good friends, later lovers. Soon after the 1956 Revolution Kata leaves Hungary, Jancsi stays there. After 10 years Jancsi is allowed to visit Kata in France, their love is reborn, but after a short, very happy period Jancsi has to return to Hungary and their love fades as years have gone by.

Professionally active, childless, married woman loses her father during a business trip. With an overwhelming sense of transience and the fear of death, she doubts her attachment to her husband. It turns out that in marriage, too, he only plays his part, with greater or lesser conviction.