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Violette and François are a couple with a child. As they cannot lead a good life with odd jobs, François starts to steal.

When Francois, a journalist, tours a big store for an article, he is chosen by the son of the newspaper's owner, Rambal-Cochet, as his new toy. Needing money and unwilling to quit his job, Francois agrees to this ridiculous assignment. Gradually befriending the spoiled boy, he induces him to play at making a newspaper, unveiling publicly the tyrannical way of life of the father. The powerful emotional climax we experience with the child astonishes both men.

A lovely summer day in Paris. Roger and Martine are on their way to work. "Work" is a euphemism because Martine is a prostitute in Pigalle. She is saving money to buy the house of her dreams in the country. Her husband Roger "works" for the same goal, but in a brothel for women. There, duchesses rub elbows with businesswomen, militant members of women's lib and other female pleasure-seekers.

This Surrealist film, with a title referencing the Communist Manifesto, strings together short incidents based on the life of director Luis Buñuel. Presented as chance encounters, these loosely related, intersecting situations, all without a consistent protagonist, reach from the 19th century to the 1970s. Touching briefly on subjects such as execution, pedophilia, incest, and sex, the film features an array of characters, including a sick father and incompetent police officers.

Sophie, a young employee, gets raped on her way back from work and realizes some time later that she is pregnant. She does not want to keep the baby but abortion is illegal. Who can she tell? She first keeps her secret to herself but Jacques, her boyfriend, notices something is the matter with her and manages to make her talk. When he learns about her lot, he advises her to let her mother know. First, the distressed Sophie is unable to as she feels too low but, at long last, she does it. Sophie's mother, who immediately sympathizes with her daughter, undertakes to find a way out, why not a in a London clinic?

In this riot of frantic disguises and mistaken identities, Victor Pivert, a blustering, bigoted French factory owner, finds himself taken hostage by Slimane, an Arab rebel leader. The two dress up as rabbis as they try to elude not only assasins from Slimane's country, but also the police, who think Pivert is a murderer. Pivert ends up posing as Rabbi Jacob, a beloved figure who's returned to France for his first visit after 30 years in the United States. Adding to the confusion are Pivert's dentist-wife, who thinks her husband is leaving her for another woman, their daughter, who's about to get married, and a Parisian neighborhood filled with people eager to celebrate the return of Rabbi Jacob.

In Luis Buñuel’s deliciously satiric masterpiece, an upper-class sextet sits down to dinner but never eats, their attempts continually thwarted by a vaudevillian mixture of events both actual and imagined.

No plot available for this movie.

No plot available for this movie.
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