Cezary Nowak

Constant misfortune plagues two sisters until they discover a family curse and go on a comical mission to end it.

No plot available for this movie.

Martyna and Wojciech form a seemingly happy relationship. However, it is only a façade hiding a cruel truth. Martyna's friend Alicja is a single mother of 20-year-old Daniel, who is the apple of her eye. Alicja is unable to accept that her son has his own life. One day Daniel meets Adelina. A puzzling story in which we ask ourselves not only who killed and why, but above all who died!?

Simona Kossak - daughter of the painter Jerzy Kossak and granddaughter of Wojciech - deprived of the talent that has defined her family for generations, grows up without knowing the warmth of her despotic mother. When, after graduation, she leaves everything - home, tradition, social conventions - and takes up a job as a scientist in Białowieża, she starts life on her own terms.

Two decades after divorcing and taking separate paths in life, a former couple is working to obtain an official declaration of invalidity of their brief marriage.

Twenty years old prostitute and drug addict, Jola, by chance meets Andrzej, a "railway station gay". They try to stay together, in spite of numerous diffculties. They both are carriers of the HIV virus. At the end of their travels they find themselves in the Red Palace - formerly the recreation centre for Party dignitaries, now a home for AIDS sufferers - which is run by father Jan. In the nearby small town aggression begins to grow again the unwanted guests; the house have been promised to the local people for housing purposes... The lives and fates of Jola, Andrzej, and father Jan become increasingly intertwined with one another...

The final stage of the great artist's life, a stage in which Witkacy decides to destroy himself. A growing sense of danger, the futility of all actions, and fear of what is to come accompany him constantly during his escape from Warsaw to the East at the outbreak of World War II. Everyday facts and events are intertwined in the film with reminiscences and images from his life, supported by the artist's inner monologue. The style of narration and the way of filming make the film a poignant study of the writer's inner disintegration. By emphasizing the painterly quality of the image and introducing dreamlike themes, Kluba captures on screen the characteristics of both Witkacy's playwriting and painting.