Janusz Dziubiński

Warsaw elites meet at a ball in Baron Neman's palace, where they discuss the political situation in Poland.

Poland, 1945. Crowds of repatriates are traveling from east to west in search of new homes and loved ones lost during the war. At one of the train stations, a young woman, Hanna Powiłańska, sits among the crowd of displaced persons. The girl recalls a story of turbulent love. Before the war, at a carnival ball, she met the handsome Lech Oleszkiewicz. In September, war broke out. Hanna meets the engineer again and spends the night with him. In the morning, the man tells her that he is married. Hanna breaks off the relationship.

Two workers, bored with their current situation, decide to rob a famous movie director.

Based on a true story of a Polish musician who survived the concentration camp only because he could play on the accordion the title melody.

Young residents of a town near Poznań are getting ready to fight the Germans.

The story follows a young scientist in the contemporary world, who actually came from the world of dwarves, thanks to a magic potion, held by the Big Eater, ruler of the dwarves. The dwarf kingdom, Shuflandia, exists in a cellar of a library, and only the most obedient get the chance to grow to king size and inhabit the larger world. Once there, nobody wants to return to Shuflandia. Also, there are no women in Shuflandia.

Three old friends living in distant cities decide to help each other get rid of people who stand in their way to achieve happiness.

The image of Greater Poland in the breakthrough years 1913-1918. It tells about the fate of Polish junior high school students and their attitude towards the Prussian partitioning authorities, activity in the independence underground, and participation in the preparations for the Greater Poland Uprising.

The final stage of the great artist's life, a stage in which Witkacy decides to destroy himself. A growing sense of danger, the futility of all actions, and fear of what is to come accompany him constantly during his escape from Warsaw to the East at the outbreak of World War II. Everyday facts and events are intertwined in the film with reminiscences and images from his life, supported by the artist's inner monologue. The style of narration and the way of filming make the film a poignant study of the writer's inner disintegration. By emphasizing the painterly quality of the image and introducing dreamlike themes, Kluba captures on screen the characteristics of both Witkacy's playwriting and painting.

Lavish romantic melodrama, obsessively concerned with sex. Maryska's husband is off to war. He soon is reported missing, and she does not protest much when is seduced by the husband's friend, a seedy professor with sickly wife and other mistresses on the side. However, the love of Maryska's life turns out to be a shy 17-year old, son of friends with whom she goes to stay.