
Jerzy Julian Hoffman is a Polish film director and screenwriter. Hoffman was born to Jewish parents Zygmunt Hoffman and Maria Schmelkes. His 1965 film Three Steps on Earth was entered into the 4th Moscow International Film Festival where it won a Silver Prize. His 1969 film Colonel Wolodyjowski was entered into the 6th Moscow International Film Festival. In 1973 he was a member of the jury at the...
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Biographical documentary film presenting the silhouette and artistic path of the outstanding actor Daniel Olbrychski. The narrative of the main character is confronted with his colleagues and friends, in contemporary interviews, including: with Krystyna Janda, Jerzy Hoffman, Krzysztof Zanussi, Volker Schlondorff and Adam Michnik. The archival materials will include statements and excerpts from the realization of scenes from Andrzej Wajda's films. The film roles of the main character are intertwined with his private life.

Despite the anti-Semitic campaign launched by the Polish People's Government in the late 1960s, director Jerzy Hoffman finishes working on the film Pan Wołodyjowski. It becomes the ticket to the production of Potop, the most expensive film in the history of Polish cinematography. During his work, the director not only has to deal with mounting production problems, the distrust of the People's Government, but also with the expectations of millions of Poles.

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The film tells about the famous Lithuanian director Vytautas Žalakevičius. The film contains many excerpts from the director's films and conversations with him. Here he talks about life, creativity and about himself. Vytautas Žalakevičius is remembered by his friends and associates.

Polish businessman Jarek Branicki organizes a beauty pageant. As the man in charge, he expects his girlfriend to win it and suggests this outcome to the judges. At the same time, however, he is on the verge of bankruptcy and tries to escape the country after being cornered by his creditors. Recognized by a passenger on the train, he flees and finds refuge in the underground passages of Warsaw’s central railway station.

The movie consists of two satirical novels based on the same idea: both the "gangsters" and "philanthropists" end up in the courtroom.
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