
Mia Sasha McKenna-Bruce (born 3 July 1997) is an English actress. She gained prominence through her role as Tee Taylor in Tracy Beaker Returns and The Dumping Ground. Her films include Persuasion and How to Have Sex. For the latter, she won a British Independent Film Award and the BAFTA Rising Star Award. She was nominated for the European Film Award for Best Actress. On television, McKenna-Bruce...
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One of four biopics, focusing on individual members of The Beatles, this one telling the story of the group from the perspective of Ringo Starr.

One of four biopics, focusing on individual members of The Beatles, this one telling the story of the group from the perspective of Paul McCartney.

One of four biopics, focusing on individual members of The Beatles, this one telling the story of the group from the perspective of John Lennon.

One of four biopics, focusing on individual members of The Beatles, this one telling the story of the group from the perspective of George Harrison.

A vast public works project in West Africa. Horn, the construction site manager, and Cal, a young engineer, share lodging behind the double gates of their compound. Leone, Horn’s recent bride, comes to join them the same night that a man appears at the fence. His name is Alboury. Like a specter in the darkness, he demands the body of his brother who died earlier that day on the site. He will hound the two men all night long until they return it, as Leone watches the disaster play out before her.

The most powerful man in the world embarks on a frantic mission to prove he is humanity's saviour before the disaster he’s unleashed destroys everything.

Two young women living in a strict, fundamentalist, polygamous society, Kaidence and Galilee, find themselves bound to one another, under the same roof, in the same marriage, as they develop scary, new, exciting feelings for each other. In a harsh, regressive, watchful community where being queer is considered a cardinal sin, they begin having thoughts of leaving the only life they have ever known behind.

Does that make me a woman? is a hybrid of documentary, performance and poem filmmaking, exploring the contradictions of modern womanhood. Presented through daubed colours and iridescent textures, Evans captures the harshness of feminine expectations, and the lasting imprint of outdated gender roles and stereotypes.

An eco-investigator is traumatised by her work accessing factory farms and documenting animal abuses undercover. Terrified of a future of climate apocalypse, she embarks on a journey into the food systems that shape our planet, to look for hope.

Three British teenage girls go on a rites-of-passage holiday—drinking, clubbing and hooking up, in what should be the best summer of their lives.
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