Mallika

Kadhaveedu' is a dedication to Malayalam being accorded the Shresthabhaasha (Malayalam has been declared a Classical language in 2013) status and presents, as a single entity, three different stories penned by the doyens of Malayalam literature - Vaikkom Muhammed Basheer, M T Vasudevan Nair and Madhavikutty. The film is an anthology with adaptations of stories written by renowned Malayalam fiction writers Basheer, M. T. Vasudevan Nair and Madhavikutty (Kamala Surayya).. The stories have been tweaked to fit in a modern setting and the script has been conceived by the director himself.

Two scheming thieves Vivekanandan and Najeeb Kecheri plan to rob Harinarayanan and his wife Devika's house, but in a quirk of fate, becomes a part of their life. Meanwhile, when moneylender Edamuttam Pappachen asks them to do something special for him, the story takes another turn.

A brain-dead youth's family agrees to donate his heart to a girl who needs an immediate heart transplant. A disparate group of people decide to complete this task by racing against time.

A woman in her fifties files a divorce petition against her seventy-one-year-old husband. Their son and an advocate try to find the reason behind it as they had been married for thirty years.

Three women believe they can survive without the help of a man, but the arrival of Ashok Raj, a lawyer trained drama director, into their lives forces them to revise their opinions.

Thamara, an orphan, rescues an old man from committing suicide and fosters him. Soon, she bonds with the old man and unravels the mystery behind his suicidal attempt.

A journey of love and revenge, the film's story unfolds amidst the travel of an interstate bus.

Jayaprakash, a real estate agent aspiring for success in his field, experiences a paradigm shift in his outlook on life and work upon meeting Achutha Menon.

Ajayan is back home after a long time away and he is hoping to be with his mother for the rest of his life, but things go wrong when a young boy claims to be his son.

The film depicts the culture, tradition and language of the Byari community. It highlights strict laws and regulations of marriage in the community, pros and cons of divorce in Islam and how it affects the women. The film, which is based on issues connected with Iddat (marriage) and Talaq (divorce) in Islam, tries to bring such problems to the notice of Islamic law-makers. It was on the same day as she gets her first periods that Nadira's (Mallika) marriage is fixed. On that very disturbing day, it is to her childhood pal that she shares her concerns. Her husband who is thrice her age, despite the customs and traditions, loves her to the core. However, as she continues her content married life with her child, she gets divorced because of a dispute between her husband and her father.