Tim Burns

Emerging from the depths of the film industry, the Mad Max saga became an instant cult classic after the release of the first film in 1979. These five critically acclaimed films have continued to captivate audiences. They shaped the identity of Australian cinema, launched a movie star – Mel Gibson – and propelled George Miller as one of the greatest directors of his generation. Above all, Mad Max has left an indelible mark on our collective unconscious, redefining our vision of the apocalypse and human civilization. This documentary tells the story of this phenomenon, from the small production of the first film to the monumental later installments, drawing on interviews and rare archives.

As the world falls, young Furiosa is snatched from the Green Place of Many Mothers into the hands of a great biker horde led by the warlord Dementus. Sweeping through the wasteland, they encounter the citadel presided over by Immortan Joe. The two tyrants wage war for dominance, and Furiosa must survive many trials as she puts together the means to find her way home.

The Madness of Max is a feature-length documentary on the making of arguably the most influential movie of the past thirty years. With over forty cast-and-crew interviews, hundreds of behind-the-scenes photographs and never-before-seen film footage of the shoot, this is without a doubt the last word on Mad Max (1979).Interviews include: George Miller, Byron Kennedy, Mel Gibson, Hugh Keays-Byrne, Steve Bisley, Roger Ward, Joanne Samuel, David Eggby, Jon Dowding and many more. From the Producers to the Bike Designers to the Traffic Stoppers, this is the story of how Mad Max was made.

Over the five days after a military coup, army troops arrive to enforce martial law and encounter a growing resistance movement.

16 year old Australian girl Belinda (Deanne Jeffs) wants to become a ballerina. To makes ends meet, she takes a job as an exotic dancer in a Sydney cabaret. Eventually, she is able to reach her goal, but not before experiencing humanity at best and worst of times.

A couple's seemingly "perfect" marriage is shaken when the husband is charged with rape.

Set in working class Brisbane in 1953, Stations is an evocative short drama featuring Noni Hazelhurst as a young woman coning to terms with her romantic illusions. “A sensual piting of black-and-white social realism against memory-hazed fantasy sequences . . . It is a film of immediate and engaging feel for human weakness and strength”

Middle-class Karli, alcoholic Jane, unemployed Jackie, and square Ellen are four friends living together and barely scraping by in suburban Sydney. But when Karli’s father offers her a little money and a one-way ticket to New York, she finally sees a way out of her dead-end life—that is, until the money goes missing, kickstarting a final night out on the town that none of them will ever forget.

Nora is a single mother who wants to live the life of an artist, as do her friends -- a group of Melbourne writers, actors and musicians. But when she's drawn into a passionate affair with a heroin addict, Nora struggles to maintain control of her life.

Fran, the assistant to university professor Paddy, is about to turn 30. She is having an affair with a married minister's aide, Stephen. She returns home to the country town she grew up in and has a fling with an old flame, Alan. She also begins sleeping with Paddy.