
He studied in the United States but in the mid-1940s returned to Cuba, where he worked as a music archivist in a television station and participated in Communist Party activities.[1] After the Cuban Revolution he became a founding member of the Cuban Film Institute (ICAIC) and directed its weekly Latin American Newsreel.[2] One of his most famous works, the short Now (1964) about racial discrimin...
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A tribute to Santiago Álvarez, a great innovator in the language of Cuban newsreel images, presented by the ICAIC over the course of thirty years. This unique figure in Latin American cinema is reconstructed. Told as a game of Chinese boxes (documentaries within documentaries, authors within authors, images within images), Álvarez's obsession is revealed to be identical to that of his disciples: to confront the reality of Cuba with other realities, staging aesthetic operations that are nevertheless political operations, always in favor of the Revolution.

Through the files of Cuban cinema news program Noticieros ICAIC Latinoamericanos, the documentary shows the most relevant events of the second half of the 20th century as seen by the documentary filmmakers of the island. During three decades and under the general direction of Santiago Álvarez, these moviemakers witnessed almost everything: from the shivers of the Cold War to Bola de Nieve's piano solos; from the discovery of the killing fields in Cambodia to the Carnation Revolution in Portugal. In 2009, the original negatives of Noticieros ICAIC Latinoamericanos were declared part of the "world memory" by UNESCO.

Documentary about the relationship between filmmaker Glauber Rocha and Cuba.

A portrait of the great radical Cuban film maker Santiago Alvarez.

A famous composer creative in crisis and must compose a new album, but is going through a painful separation that prevents him from concentrating. In this situation, your manager will provide a time extension

Political propaganda film made during the Spanish Civil War.

Los Ojos de Santiago retraces the filmmaking career of Álvarez, particularly his work in Vietnam and Cuba.
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