Gloria Sevilla

We will witness how an 85yr old woman, Nang Em, from Cebu survived alone through all of these walls that push you away in these times of Quarantine era. Though falling sometimes into her own depression and anxieties in a time when the world stops and forces people to look into themselves for “renewal” of spirit, body and soul, Nang Em, fights through these negativities. She will show us how it is in the eyes of someone who went through time with grace and reckless abandon. And when an Ilonggo maintenance guy, Tagalog, comes to dip his mundane life into the scene of this wisdom-filled woman, we see how worlds come to connect and fill the gap of these times that don’t seem to mean anything to each other. We realize there is a thin line between old and new for a future set for the taking. Nang Em will open eyes to a whole understanding of being “old” in the time of “new.”

A troubled Overseas Filipino Worker (OFW) is forced to return home and come to terms with the family she left behind.

Three generations of teachers. Three stories of dedication, struggle, and inspiration interweaved. Iah, Espie, and Gennie will prove that being an educator does not end inside the four walls of their classrooms.

An ordinary taxi ride takes Jun, a young executive, into the unusual story of Ben, a 35 year-old taxi driver in Manila on how he became a lanzones farmer in Camiguin island, Mindanao.

The silent witness to the life and love of Juanita. It is her sanctuary, the place where she creates dishes for her family, her friends, even enemies and strangers. Through cooking, she gets to know the people around her, and in return, reveal herself to them.

A woman who is looking for acceptance, who's looking for love, who wants to be appreciated and who wants to belong find what she's looking for from her personal assistant.

The documentary serves as a tribute to National Artist for Cinema Gerardo de Leon in celebration of his Centennial Year. “Salamat sa Alaala.” is inspired by the music composed by the late film director when he was a teenager playing background music for silent movies in Manila theatres. The video opens up with a capsulated history of the birth of the Filipino movies followed by a series of shots of veteran actresses, the academe and the young generation of filmmakers affirming his unique qualities as a world-class film figure. Then we unravel his private life as a family man. The documentary is one way of thanking him for his lasting legacy in the art form he left behind.

A film based on a real life story of children ages 10-15 years old being used by a syndicate for underground wrestling.

After a bank robbery gone wrong, the Gang drives out of town to hide but they run out of gas on a deserted road and go on foot deep into the woods. There they find an old dilapidated house occupied by a mysterious young Woman and her Grandmother. As they insist on staying, the Grandmother tells them that it is the night if Ang Kumakatok (Those Who Knock), a mythical being who takes away a soul from the occupants of the house they knock in. As the dead of night unfolds, we realize who they all really are and when the knock comes, none of them can run away from an evil that stays in their soul.

Madam Bella (Zsa Zsa Padilla) has pancreatic cancer, stage 4 and it's treatable but not curable. She asks her son Joven (Nico Antonio), who is outwardly detached, to be with her throughout the medication. In the midst of chemotherapy sessions, Joven begins to realize his mother’s behavior and disposition. Aside from being a stern owner of the Monteclaro Law Firm and a strict mother, Bella is a woman of courage, fighting predicaments not just for herself but most especially for her son. As Joven understands his mother’s personality, he finds his own identity. And as they shape individuality, we get a glimpse of the image of the ailing health care system in and outside the hospital.