Mercedes Carreras

An exercise of memory about the work of Enrique Carreras, the Argentine director of ninety-five films, which explores the relationship he had with his collaborators, producers and critics, in search of an answer to the question that continues to be asked throughout time—how was he able to shoot almost a hundred films that were box-office successes and a great source of employment? Beyond the sentimental and emotional value of Carreras’ films in the collective imagination, said productions are documents that explain certain processes of social transformation and behavioral patterns, a reflection of different decades, with their own social and political circumstances.

Mercedes and Victoria Carreras, mother and daughter actresses, reveal their intimate life and secrets of the trade while filming the documentary. Victoria discovers her lineage of Spanish actresses, which began three centuries ago. She embarks on an ancestral journey.

A touching tribute to a fundamental figure of the Argentine show, which shows “Tita” in the intimacy of the Carreras family and at the same time, on stage in her last show.

A modest law firm receives a somewhat ambiguous assignment regarding some properties from a mysterious foreigner, apparently of American origin. One of the partners is struck by the opaque nature of the case and decides to take some time to investigate. He eventually discovers that the foreigner was English and that it is a scheme to seize a house belonging to an Argentine family.

No plot available for this movie.

A widowed mother cannot prevent her child from dying from an overdose.

A girl arrives in Buenos Aires from Catamarca and fulfills her dream of being an actress.

Two drug gangs clash in their quest to dominate the market.

Mother and daughter are both pop singers, but mom wants her little girl to get married. Wacky complications.

Those interned in a psychiatric establishment are involved in a police issue.