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Eight visually rich vignettes drawn from Kurosawa’s own dreams—fox weddings and vanished orchards, a soldier’s ghosts, a walk through Van Gogh’s canvases, nuclear nightmares, and a water-mill utopia—meditate on childhood, art, mortality, and humanity’s uneasy bond with nature.

Inspired by Arthur Schnitzler's novel, "La Ronde", many people are having sex in a variety of ways. A girl and her boyfriend go to a pool bar where she is served a free cocktail drink courtesy of a man who wants to date her. Another guy challenges her boyfriend to a game with the girlfriend being the prize. Three men are fighting over the young woman and a winner takes the girl. It ends up as four guys and the woman in a hotel room.

A mother discovers that her 14-year-old daughter Yumi has leukemia and only six months to live. She decides to keep the information secret and pushes her past tutor Akira, now a university student, to reconnect with her.

A young theatre actress fights for her uncertain career while having to confront the personal sacrifices that will arise from it.

Akiko is the heir to a yakuza clan. Hitoshi, who has been kicked out of the rival Hono Clan after attempting to seduce Akiko, kidnaps her at the behest of Hanamura. Hanamura has formed a new gang and intends to use Akiko as a hostage to take over her clan's territory. During the torture and abuse sessions which follow, Akiko comes to enjoy the treatment and forsakes her gangland empire.

Asami Ogawa in her first leading role as an office lady with a healthy sexual appetite who grows bored with the limited choices that society offers her.

Naomi Tani plays bar-owner Aki, whose entire world appears to be crumbing whenever she discovers her husband is having an affair along with her own mama. Truly the only individual she can trust is Iwasaki, the woman club supervisor. One time, she asks Iwasaki to accompay her to a company meeting with a trader Hanamatsu, the owner of a mannequin factory. At the warehouse, Miss Aki is abnormally aroused when she sees Hanamatsu toching the mannequins. She allows by herself to be seduced by the businessman…

Fujishita Kumi is an ordinary office lady. Longing to escape her poor fishing village for a life in the city, she came to Tokyo. One day while alone in the office, she's spotted rolling up her pantyhose by the window cleaner Kurata Katsuo. This was to be their first encounter. Completely enchanted by Kumi, Katsuo does everything he can to get close to her. Katsuo is a man with a terrible past. With the death of his coal miner father, his family was broken up and he was forced to follow in his father's footsteps laboring away in the mud. In spite of this, Katsuo still has dreams. He dreams of living in Resiporuko, a utopian fantasyland that exists only in his imagination. When Katsuo and Kumi finally meet they find themselves unable to communicate. Katsuo spends all his time talking about Resiporuko with a starry look in his eyes, while Kumi dreams of living the high life in the city. One day when the two travel to the seashore, they discover a wounded seagull.

Kyoko and her mother Yuki returned to their hometown of Fukui. Yuki runs a dressmaker's store in the city, and Kyoko has taken a job as a nurse at a prefectural hospital. The film depicts the daughter's attempt to grow from adolescence to adulthood in a family of one mother and one daughter, and her emotional exchange with her mother against the backdrop of the harsh natural environment.

On a Tokyo dump’s shantytown edge, interwoven vignettes follow residents scraping by: a boy who “drives” an imaginary trolley, a homeless father and son designing a dream house, a young woman brutalized at home, drunks, schemers, and saints of small kindnesses. Kurosawa crafts a ragged mosaic of hardship, fantasy, and flickers of grace that keep people moving forward.
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