Bárbara Paz

Girassol Vermelho is a film inspired by Murilo Rubião, a master of Brazilian magical realism, about the journey of Romeu, a man who leaves his past behind in search of freedom. By chance, he arrives in a strange city where an oppressive and pathetic system, which does not allow for questioning, drags him into a series of interrogations and tortures. In this absurd world, Romeo realizes that he has lost his greatest value: freedom. Full of pain and fury, Romeu, delirious, embarks on a new and even stranger journey.

A couple decides to have a free pass to be with another person without it being considered cheating, causing them to question the terms of their relationship. Maia and Caetano have been living together for a year and, upon signing a cohabitation agreement for their health insurance, they experience the true impact of monogamy. During a game with friends, they both choose one that is permitted for themselves. However, when the hypothetical situation becomes reality, they rethink the limits and desires of their relationship.

No plot available for this movie.

Everything seems to be going well in the stable relationship between Mari and Rafa, until Isis and Fred move into the apartment next door. The new neighbors make no secret of the fact that they are in an open relationship.

Younger brother of Henfil and Betinho, Chico Mário became a great guitarist and discovered in music his way of expressing himself and looking at the world.

No plot available for this movie.

Besieged by cancer and nearing the end, the genius Argentine-Brazilian filmmaker Héctor Babenco (1946-2016) asks Bárbara Paz, his wife, for one last wish: to be the protagonist of his own death.

Strong and feminine, "Why don't you cry?" addresses the delicate topic of suicide. Jessica is very closed, Barbara is a time bomb. The two meet when, at the stage of the faculty of psychology, Jessica meets Barbara. The coexistence leads Jessica to question her empty and meaningless life.

Dr. Drauzio Varella has a hypothetical conversation with his friend Hector Babenco, a filmmaker who died in 2016. The importance of friendship is addressed in the documentary based on the death of a friend — and shows the decrease in happiness and the irreplaceable void left by this game.

Documentary on Rosamaria Murtinho and Mauro Mendonça’s 60-year long career in Brazilian theater, film and television. The film not only runs through the career of these artists, but also paints a portrait of a generation that rose alongside them and that works with art till this day.