Roberto Frota

During an attempted robbery, the daughter of the lawyer Carla's is shot and in serious condition. With no answers, Carla tries to move on with her life by seeking help from support groups. Unable to accept his daughter's fate and the lack of solutions on the part of the police, he transforms the search for justice into a search for revenge and tests his own limit to see how far he could go.

The methodical day-to-day activity of a young autistic boy changes drastically when he sees a girl passing by riding a bike.

No plot available for this movie.

Paulo Coelho is the world’s most translated living author, his books having sold over 165 million copies. But he was not always the inspirational global phenomenon he is today. Like the heroes in his spiritual classics THE ALCHEMIST and THE PILGRIMAGE, he long-searched for his calling, flirting with death, escaping madness, falling in love, and making rock ’n’ roll history in Brazil, all-the-while striving for success as a writer. A wild ride through a lifetime of stranger-than-fiction adventures, PAULO COELHO’S BEST STORY is a profoundly moving film that goes straight to the heart of the most beloved literary guru of our time, revealing the most incredible wonder of all: the man behind the masterpieces.

Laura goes to Buenos Aires and falls for the photographer Guilherme. When she returns to Brazil, her homeland, she discovers Guilherme is actually her fiancé's best friend.

Young man, of Portuguese nobility ascendancy, starts working in a rubber plantation in the Amazon, in 1912, and falls in love with pretty Yayá, a married woman.

A tragedy happens when a cruel farmer forces his son to kill his best friend, son of a rival farmer's, in ambush. The crime brings about serious consequences for the two families, involved in a land dispute in Minas Gerais, a Brazilian state.

No plot available for this movie.

An accident at a construction site, resulting in one death, sets one worker off on a struggle for justice that exposes the mechanisms of exploitation and the class relations of a country that had undergone one decade of fast-paced ‘conservative modernisation’ at the hands of the military. As a sort of sequel to the classic The Guns (1964), following the fate of those characters as they move from enforcers of exploitation to exploited, it offers more than a snapshot of the period: the correspondent time lapses in fiction and reality capture the passage of a chunk of Brazilian history between the two films, and, therefore, also the transformations in cinematographic approaches to the social and political between the two moments. Equally daring in content and form, and in the originality of the adequacy of one to the other, it won the Silver Bear at Berlin.