
Richter's first contacts with modern art were in 1912 through the "Blaue Reiter" and in 1913 through the "Erster Deutscher Herbstsalon" gallery "Der Strum", in Berlin. In 1914 he was influenced by cubism. He contributed to the periodical Die Aktion in Berlin. His first exhibition was in Munich in 1916, and Die Aktion published as a special edition about him. In the same year he was wounded and dis...
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Experimental filmmaker Pip Chodorov traces the course of experimental film in America, taking the very personal point of view of someone who grew up as part of the experimental film community.

This piece had its world premiere as the opening film of the Hans Richter Tribute at Cinema Arsenal in the summer of 2003. The nine minutes of film are a compilation of all appearances of Hans Richter in Jonas’s films. The result is a new work, a singular contemporary document, which does not only capture Hans Richter, but shows him embedded in his environment.

A film collage tracing the story of the lives, loves, and deaths within the artistic community surrounding Jonas Mekas.

The Challenge... A Tribute to Modern Art is a 1974 American documentary film directed by Herbert Kline. The film shows footage of great modern artists in their studios creating and commenting on their work, with narration and commentary by Orson Welles. It was nominated for an Academy Award for Best Documentary Feature.

Dedicated to Nigel Gosling. Voice-over with Hans Richter reading a Dada text. Filmed in Locarno. Oesterreichisches Filmmuseum, Vienna

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1967 film directed by Greta Deseson about the Dada art movement. Featuring Marcel Duchamp, Man Ray, Max Ernst, Hans Richter and Gabrièle Buffet-Picabia

This documentary concerns the contributions of German artists to the Dadaist movement. Created in 1916, the organizers rejected previous convention and delighted in nihilistic satire in painting, sculpture and literature. Comparisons are made between the movement and the political and social upheaval at the time of the release of this feature (1969).

Also known as Walden, Jonas Mekas’s first diary film is a six-reel chronicle of his life in 1960s New York, interweaving moments with family, friends, lovers, and artistic idols. Blending everyday encounters with portraits of the avant-garde art scene, it forms an epic, personal meditation on community, creativity, and the passage of time.

Michèle, an employee at the airport, is in love with American pilot Eddie Miller who regularly flies the route from New York to Paris, but problems arise when he is transferred to the Tokyo route. Meanwhile Michèle's uncle Albert who works in the freight department sets out to tackle a drug trafficking outfit.
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