
Maria Christina Aumont best known as Tina Aumont, was an American actress of French and Dominican descent. She was born in Hollywood, California, the daughter of actors Jean-Pierre Aumont and Maria Montez. She married actor and film director Christian Marquand in 1963, at the age of 17. She made her debut as Tina Marquand in Joseph Losey's 1966 movie Modesty Blaise. She worked in Italian cinema ...
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Alpha vol 3: with its viscerally wet n’ wild imagery bolsters a multi-faceted, A 1 hour and 40 minutes long ride of the hypnotic and aquatic. From the darkest surrealistic expressions to the playful, darling, and capricious. Golden showers. Water sports. Femme fontaines. From ever-popular vintage segments to brand new bits, Stuart spotlights the infinite modulations of sexuality.

Documentary about María Montez (the Queen of Technicolor ), a Dominican who became a glamorous Hollywood star in the first half of the 20th century, participating in 26 films .

Over the course of more than fifteen years, Clémenti films a series of intimate diaries, starting from daily encounters. In La deuxième femme, we see Bulle Ogier and Viva, Nico and Tina Aumont, Philippe Garrel and Udo Kier, a performance by Béjart, a piece by Marc’O, concerts by Bob Marley and Patti Smith (not always recognisable)... It’s like a maelstrom of psychedelic images that are passed through a particle accelerator.

Positano is an island of the Amalfi Coast that Neptune would have, according to legend, created for the love of a nymph. Perched on the rocks of the island, the house of Frédéric Pardo and Tina Aumont became in 1968 a meeting place for the underground community. Pierre Clémenti stays there for a while and makes images of dazzling sensuality. Beyond Pierre Clémenti's intimate love of these faces and bodies often naked in this Mediterranean landscape, the film reveals the moving beauty of a utopia where living together could still be achieved in a territory of sharing and permanent creation. Flow of perceptions of consciousness, visual impressions, physical impregnations, the work of Pierre Clémenti is an ode to sensuality and "life-cinema".

Based on a notorious novel by Louis Calaferte, this erotic drama concerns a man exploring the boundaries of female sexuality through a variety of sexual encounters with beautiful women he barely knows. La Mecanique des Femmes features copious male and female nudity as the nameless leading character discusses sex and sensuality with his predominantly female supporting cast.

Voyeur: A hotel doorman sees on his monitor everything that happens in room 107, occupied by a couple of extravagant foreigners. Both have sex with the waitress without each other's knowledge. When the truth comes to light, the couple goes into crisis, but the maid manages to restore peace. Giulia: A famous photographer shoots some beautiful models during a trip between Paris and Rome. The journey between the two cities thus also becomes an erotic journey into the body, heart, brain of the girls, all perfectly innocent and perfectly perverse... Quattro: On an "acid" night in Rome, they meet two friends in their thirties, a stripper and a Colombian trans. After a car ride, crazy drunk chemical "trips" their roads split and two couples are formed. Four parallel stories, of intersecting glances, bodies that seek each other and destinies that touch each other between dubious hotels and nightclubs.

Giulia is an independent young woman who is prepared to offer her body and her spirit against all the religious taboos.

A doumentary of the life and career of French actor, Jean-Pierre Aumont.

Blond Storm and Black Tempest, two female super-hero wrestlers, found a rock band to fight the Marquis de Slime, an ancient demon, in a gothic and magical Paris.

A pair of teenage girls, who are blind by day, but when the sun goes down, they roam the streets to quench their thirst for blood.
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