Andreas Kundler

Rakel is a strict Christian believer living in the far north of 1930s Sweden. When her husband forms a sectarian movement, with directions straight from God, she has no choice but to join the increasingly explicit cult.

When a border guard with a sixth sense for identifying smugglers encounters the first person she cannot prove is guilty, she is forced to confront terrifying revelations about herself and humankind.

Elle Marja, 14, is a reindeer-breeding Sami girl. Exposed to the racism of the 1930s and phrenological examinations at her boarding school, she starts dreaming of another life. To achieve this other life she has to become someone else and break all ties with her family and culture.

In an apartment a single and psychotic mother locks in herself and her daughter. Here, the demons are in control. Ti can hear her mother talking to the demons, and she sees her changing and confined face. But the demons that the mother speaks with Ti can neither hear nor see. Outwards, Ti is forced to keep a straight face to protect her mother, while she herself is going under.

Dino is 23 and dreams of a different life. She has left the mass unemployment of the Swedish provinces in search of happiness in nouveau-riche Oslo just like hundreds of thousands of other young Swedish people. But her new life has reached a deadlock. Dino finds herself stuck in a destructive sprial of temporary jobs, financial difficulties and wild partying. When she starts an extra job as as a housekeeper in a Norwegian middle-class home, she is thrown into a reality very far from her own.

The sleepy little town Valleby is getting ready for the cafe owners Dino Panini's and Sara Bernard's wedding, and our popular young detectives Lasse and Maja stand ready to ensure that nothing will go wrong. But when the wedding couple's respective relatives arrive, they prove to belong to rival mafia families.

Magdalena is struggling to cope with a major crisis in her life: some time ago her daughter Sara committed suicide. Magdalena finds herself consumed by a grief she cannot overcome. Although the event has shattered her world, she nonetheless manages to ‘function’ smoothly on a daily basis – whether this involves trying to sell Sara’s dog Truls, picking up her second daughter’s son from his piano lesson, eating with the family of an evening, attending a session with a spiritualist or going to a bar. These are all things she would have done anyway, and a strict routine helps prevent her pain from rising to the surface. Only when Sara’s former boyfriend visits does she begin to see a path through all her denial, speechlessness and feelings of guilt.

Beaten up, bruised, and scared, a young writer hides in a Stockholm apartment, writing the story of its disappeared inhabitants: the flamboyant and charismatic Morgan brothers.

A film between fiction and reality, highlighting questions about group dynamics and established hierarchies. A group of people meet for their high school reunion 20 years later. One of them talks about her being bullied and outcast and soon the former classmates fall back to the roles they used to have back in school. But this is just half of the film.

Stockholm, late 1970s. Within a stone’s throw of government buildings and juvenile homes lies the seductive world of sex clubs, discotheques and private residences. Call Girl tells the story of how young Iris is recruited from the bottom of society into a ruthless world where power can get you anything.