Yang Ik-june

A suspense thriller about two men, one of whom tells his darkest secret to the other, and the ensuing fight for survival between the two in a snowbound hut.

Four master helmers from Korea reload the hitman flick. Vampire sleaze, assassin slapstick, neo-noir, and an avant-garde mind-bender to die (kill) for!

Amy, adopted by an American family as a child, visits a jjigae restaurant in Jungnang-gu, Seoul. She introduces herself as a chef from the U.S. to Eunseon, the restaurant owner searching for staff after her mother passed away. Amy asks Eunseon to teach her how to make jjigae. Amy can not hide her complex feelings toward Eunseon's mother. Eunseon gradually grows suspicious about Amy.

A determined detective continues his search for the truth behind Asia's largest drug organization and its elusive boss he has unfinished business with.

No plot available for this movie.

Currently, Sunwoo and Ikjune are lovers and co-directors of a movie. The film starts with a landscape shot at dawn. Ikjune is smoking a cigarette from the veranda of his house, looking at the village across the street. In the bedroom, Sunwoo is lying on Ikjune's bed with her eyes open. Next to them are the same movie scenarios. You can predict what they are thinking by looking at their faces. Production is half-way and the two are having a long conversation about what to shoot today as they are headed to the set. At the set, they are talking with the actors and giving acting directions. In the process, Sunwoo and Ikjune experience various feelings about love, either individually or together.

She's coming back to where she used to be after 3 years of journey to Japan. There she wanted to stay and get over feelings from break up.

Although greatly abbreviated and simplified, and in a back-and-forth sequence, almost all of the dialogue and narration is based on words extracted from the original story. The setting of the original film (1957), in which long-distance calls are connected to a switchboard so that the recipient knows where the call is coming from, has been eliminated, and the public telephones are digital telephones installed after 1996. Other alterations include the following.

Set in the near future around Shinjuku, Tokyo. Shinji got out from a youth detention center. Barikan suffers from stuttering and extreme shyness. These two men meet in a boxing gym. Shinji and Barikan become friends and pursue boxing under a hopeless situation.

Trapped in routine, a Jeju poet finds himself drawn to a boy—and to emotions he’s never dared name.