Suzanne Desprès

Franz Schubert retired from Vienna in country for musical writing. He draws his inspiration from a romance with the watermiller's daughter. An operetta in the fifties Vienna style. This is the only movie from Marcel Pagnol in color and the only movie in rouxcolor, a French experimental process derivated from the agfacolor German process.

An actor, a great seducer, has a 20-year-old son (François Périer) to whom he gives advice that has always succeeded; however this son has difficulties with Corinne (Dany Robin) who considers herself his fiancée.

Proud, eccentric, and antisocial, Monsieur Hire has always kept to himself. But after a woman turns up dead in the Paris suburb where he lives, he feels drawn to a pretty young newcomer to town and discovers that his neighbors are only too ready to suspect the worst of him.

In a slum set to be demolished, dramas are played out among the picturesque slum dwellers, including a young couple who, denounced by the police, are forced to leave home.

What was it about opera diva Grace Moore that attracted the attention of filmdom's top directors? Moore's 1937 American movie vehicle When You're in Love had been directed by Josef Von Sternberg; two years later, her French starrer Louise was helmed by no less than Abel Gance, who a decade earlier had revolutionized the "historical epic" genre with the awesome Napoleon. There was, however, little that was revolutionary in this cinemadaption of Gustave Charpentier's opera. Moore plays Louise, a poor seamstress who is led astray by the rakish Julien (Georges Thill). After falling from grace (no pun intended), our heroine is rescued by her understanding father (Andre Pernet), who demonstrates his forgiveness by singing to her (it is, after all, an opera). Though it played to enthusiastic crowds in both London and Paris, Louise turned out to be Grace Moore's final film; conversely, Abel Gance continued to make commercial potboilers well into the 1970s.

A Russian emigrant sings in a Shanghai nightclub under the assumed name of Kay Murphy. All she dreams of is a peaceful life with her daughter Vera. But this is only a pipe dream as she has been forced by her former lover Ivan to work for a secret criminal organization, "The Black Dragon". Vera, who studies in a Hong Kong boarding-school, knows nothing about her mother's past. When Ivan, who is also Vera's father, resurfaces and blackmails Kay, the young woman is determined to fight back...

The woman thief evades a young lady who is onto his game, but then tries his wiles elsewhere on a married woman by attempting to compromise and ruin the husband she is happy with.

A Russian emigrant sings in a Shanghai nightclub under the assumed name of Kay Murphy. All she dreams of is a peaceful life with her daughter Vera. But this is only a pipe dream as she has been forced by her former lover Ivan to work for a secret criminal organization, "The Black Dragon". Vera, who studies in a Hong Kong boarding-school, knows nothing about her mother's past. When Ivan, who is also Vera's father, resurfaces and blackmails Kay, the young woman is determined to fight back...

Cattion d'Urville takes in a gypsy, Sarah, and her granddaughter Miarka, in an outbuilding of her chateau. Miarka, while growing up, attracts the attention of Luigi, Cattion's nephew who, little by little, falls in love with her. Sarah raised her daughter in the tradition of gypsies who curse anyone who marries a man who is not a gypsy. Miarka ends up loving Luigi and he wants to marry her. The law of race opposes it. Fortunately, a well-conducted genealogical investigation will discover that Luigi is of the gypsy race. They will marry.

In 1914, during the First World War, the rich chatelaine de Boissière, with a sulphurous past, took in Jean le Barois, a young soldier lost in territory occupied by the Germans, who was none other than the son of the man she loved, then ruined. The young man, after having despised her, falls madly in love with the woman who pushed his father to suicide.