Daichi Watanabe

Yukiko, a 29-year-old elementary school teacher in Tokyo, struggles with student communication and personal insecurities. Overlooked in the “Favorite Teacher Ranking” and uneasy about her boyfriend’s marriage hints, she finds solace in hip-hop. Yet, in her first rap battle, she is completely overwhelmed by her opponent. This story follows Yukiko’s journey to discover the meaning of living authentically.

Dual timelines explore a Japanese widow's memories spanning post-war Nagasaki in 1950s and England during 1980s Cold War era, unraveling secrets that intertwine her past and present experiences across borders.

Based on four of the six short stories compiled in Murakami Haruki's anthology, After the Quake explores the complex aftermath of Japan’s earthquakes and other global crises. (Movie version of the TV drama).

Moving into an old house in the rural countryside, videographer Komai converses with its former owner Umemoto, drawing from personal memories to discuss histories, cartographies and the passage of time, reflecting upon the changing tides of tradition and progress within generational spans of the town’s history.

Director Yoshiyuki Kishi and screenwriter Takehito Minato—the team behind acclaimed boxing epic Wilderness—reunite to adapt Ryo Asai's prize-winning novel. A sensitive drama about the aberrant in a society without regard for diversity, the story unites characters trying to hide abnormalities: a prosecutor who is worried that his pubescent son is a shut-in, an introverted saleswoman with a peculiar habit, and a student tortured by feelings she can’t express. In a world fill with abnormalities, what if it’s actually normal to be abnormal?

On August 12, 2015, Hasegawa proposed to Ichiko. Ichiko is moved by Hasegawa's proposal and sheds tears, but the next day, she suddenly leaves home, seemingly shocked after seeing the TV news. Where did Ichiko go? Hasegawa reports the disappearance to the police, and the detective in charge of the investigation tells an unexpected story.

The year is 2020, the middle of the corona crisis. Art student Itsuka has her graduation exhibition canceled and must take home the piece which she had been working on for a year. In a whirlpool of emotions she clashes with her worried parents, her little sister overreacts to the virus and even her usually calm friend Hirai starts to build up frustration. In the middle of all that, she re-unites with Tanaka, who gave her the opportunity to absorb herself in painting, clashes with Hirai over their true feelings and tries to face her own future.

Shishikari is a remote island, which is behind the times. The island suffers from a decreasing population and declining industries. Keita Izumi (Tatsuya Fujiwara) begins to produce black fig on Shishikari Island. Because of his well received product, the island is close to receiving a 5 billion yen grant from the government, which is part of the goverment's policy to reinvigorate rural economy. The residents of the island are excited, but their peaceful days changes by the appearance of Mutsuo Komisaka. Keita Izumi and his friends Jun Tanabe (Kenichi Matsuyama) and Rookie Police Officer Shinichiro Moriya are suspicious about him. One night, Keita Izumi's daughter goes missing. Due to that, Keita Izumi, Jun Tanabe and Shinichiro Moriya happen to kill Mutsuo Komisaka. They decide to hide Mutsuo Komisaka’s murder to protect the future of the island and their families. It turns out Mutsuo Komisaka was a psycho killer. Police officers come to Shishikari Island to catch Mutsuo Komisaka.

Upon reaching the train station to death, a dejected soul is informed that he is "lucky" and will have another chance at life. He is placed in the body of a 14-year-old boy named Makoto Kobayashi, who just died, and needs to figure out the cause of his death.

In the turbulent last days of the Edo period, Kawai Tsugunosuke, a Japanese samurai serving the Makino clan of Nagaoka, dreamt of independence from the restraints of vassalship. Despite his progressive views and his desire for his estate to remain neutral during the Boshin Civil War, he was bound by loyalty and duty to the clan and was compelled to choose sides.